By Unknown
Giver of life, Creator of all that is lovely,
Teach me to sing the words of your song;
I want to feel the music of living
And not fear the sad songs,
But from them make new songs
Composed of both laughter and tears.
Teach me to dance to the sounds of your
world and your people,
I want to move in rhythm with your plan;
Help me to try to follow your leading,
To risk even falling,
To rise and keep trying
Because you are leading the dance.
Incoherant Ramblings from a First-Time Father of an Extraordinary Daughter, along with Musings on Life, Food, Books, Entertainment, Running and Poetry all with a Lousy Dawg
Monday, December 30, 2013
Sunday, December 29, 2013
Claim
by Kasey Jueds
Once during that year
when all I wanted
was to be anything other
than what I was,
the dog took my wrist
in her jaws. Not to hurt
or startle, but the way
a wolf might, closing her mouth
over the leg of another
from her pack. Claiming me
like anything else: the round luck
of her supper dish or the bliss
of rabbits, their infinite
grassy cities. Her lips
and teeth circled
and pressed, tireless
pressure of the world
that pushes against you
to see if you're there,
and I could feel myself
inside myself again, muscle
to bone to the slippery
core where I knew
next to nothing
about love. She wrapped
my arm as a woman might wrap
her hand through the loop
of a leash—as if she
were the one holding me
at the edge of a busy street,
instructing me to stay.
Once during that year
when all I wanted
was to be anything other
than what I was,
the dog took my wrist
in her jaws. Not to hurt
or startle, but the way
a wolf might, closing her mouth
over the leg of another
from her pack. Claiming me
like anything else: the round luck
of her supper dish or the bliss
of rabbits, their infinite
grassy cities. Her lips
and teeth circled
and pressed, tireless
pressure of the world
that pushes against you
to see if you're there,
and I could feel myself
inside myself again, muscle
to bone to the slippery
core where I knew
next to nothing
about love. She wrapped
my arm as a woman might wrap
her hand through the loop
of a leash—as if she
were the one holding me
at the edge of a busy street,
instructing me to stay.
Tuesday, December 24, 2013
Gift of the Magi
by Garrison Keillor
In the tiny apartment on the Lower East Side,
The beautiful Della combed her long hair,
And thought about Christmas and bitterly cried,
For they had no money, no money to spare.
So little money, and Christmas was near,
And Jim worked so hard and for so little pay.
He’d grown discouraged, her darling, her dear
She must give him Christmas, she must find a way.
So she went to a wig shop and sold them her hair,
Her beautiful hair that her husband adored,
Her face was all pale as she sat in the chair,
And she cried as the barber cut it off short.
And out in the street, with a scarf on her head,
And the money in hand, Della searched through the shops,
And there in a window was the gift she must get:
A platinum chain Jim could hang on his watch.
His beautiful watch that his father had owned,
So handsome and beautiful, just like her Jim.
And she bought him the chain and gladly went home
And curled her short hair as she waited for him.
He opened the door and he saw her hair
And she ran to his side and tried to explain
It would grow back so quickly and she didn’t care
And she gave him the beautiful platinum chain.
Jim took her gift — how brightly it shone.
He covered his face and sighed in despair,
And he told her, “I bought you those tortoise shell combs,
Tortoiseshell combs for your beautiful hair.”
He had pawned his watch to buy her the combs,
To buy him the watch chain, she sold her hair
And the two of them looked at each other and groaned,
At the sight of the two useless gifts sitting there.
They sat holding hands and they started to laugh
At the beautiful emptiness of what they were wishing
The gift of the Magi is to hold what you have
And not think a minute of what you are missing.
In the tiny apartment on the Lower East Side,
The beautiful Della combed her long hair,
And thought about Christmas and bitterly cried,
For they had no money, no money to spare.
So little money, and Christmas was near,
And Jim worked so hard and for so little pay.
He’d grown discouraged, her darling, her dear
She must give him Christmas, she must find a way.
So she went to a wig shop and sold them her hair,
Her beautiful hair that her husband adored,
Her face was all pale as she sat in the chair,
And she cried as the barber cut it off short.
And out in the street, with a scarf on her head,
And the money in hand, Della searched through the shops,
And there in a window was the gift she must get:
A platinum chain Jim could hang on his watch.
His beautiful watch that his father had owned,
So handsome and beautiful, just like her Jim.
And she bought him the chain and gladly went home
And curled her short hair as she waited for him.
He opened the door and he saw her hair
And she ran to his side and tried to explain
It would grow back so quickly and she didn’t care
And she gave him the beautiful platinum chain.
Jim took her gift — how brightly it shone.
He covered his face and sighed in despair,
And he told her, “I bought you those tortoise shell combs,
Tortoiseshell combs for your beautiful hair.”
He had pawned his watch to buy her the combs,
To buy him the watch chain, she sold her hair
And the two of them looked at each other and groaned,
At the sight of the two useless gifts sitting there.
They sat holding hands and they started to laugh
At the beautiful emptiness of what they were wishing
The gift of the Magi is to hold what you have
And not think a minute of what you are missing.
A Different View of Christmas: Revelation 12
12 A great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. 2 She was pregnant and cried out in pain as she was about to give birth. 3 Then another sign appeared in heaven: an enormous red dragon with seven heads and ten horns and seven crowns on its heads. 4 Its tail swept a third of the stars out of the sky and flung them to the earth. The dragon stood in front of the woman who was about to give birth, so that it might devour her child the moment he was born. 5 She gave birth to a son, a male child, who “will rule all the nations with an iron scepter.”[a] And her child was snatched up to God and to his throne. 6 The woman fled into the wilderness to a place prepared for her by God, where she might be taken care of for 1,260 days.
7 Then war broke out in heaven. Michael and his angels fought against the dragon, and the dragon and his angels fought back. 8 But he was not strong enough, and they lost their place in heaven. 9 The great dragon was hurled down—that ancient serpent called the devil, or Satan, who leads the whole world astray. He was hurled to the earth, and his angels with him.
10 Then I heard a loud voice in heaven say:
“Now have come the salvation and the power
and the kingdom of our God,
and the authority of his Messiah.
For the accuser of our brothers and sisters,
who accuses them before our God day and night,
has been hurled down.
11 They triumphed over him
by the blood of the Lamb
and by the word of their testimony;
they did not love their lives so much
as to shrink from death.
12 Therefore rejoice, you heavens
and you who dwell in them!
But woe to the earth and the sea,
because the devil has gone down to you!
He is filled with fury,
because he knows that his time is short.”
13 When the dragon saw that he had been hurled to the earth, he pursued the woman who had given birth to the male child. 14 The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent’s reach. 15 Then from his mouth the serpent spewed water like a river, to overtake the woman and sweep her away with the torrent. 16 But the earth helped the woman by opening its mouth and swallowing the river that the dragon had spewed out of his mouth. 17 Then the dragon was enraged at the woman and went off to wage war against the rest of her offspring—those who keep God’s commands and hold fast their testimony about Jesus.
7 Then war broke out in heaven. Michael and his angels fought against the dragon, and the dragon and his angels fought back. 8 But he was not strong enough, and they lost their place in heaven. 9 The great dragon was hurled down—that ancient serpent called the devil, or Satan, who leads the whole world astray. He was hurled to the earth, and his angels with him.
10 Then I heard a loud voice in heaven say:
“Now have come the salvation and the power
and the kingdom of our God,
and the authority of his Messiah.
For the accuser of our brothers and sisters,
who accuses them before our God day and night,
has been hurled down.
11 They triumphed over him
by the blood of the Lamb
and by the word of their testimony;
they did not love their lives so much
as to shrink from death.
12 Therefore rejoice, you heavens
and you who dwell in them!
But woe to the earth and the sea,
because the devil has gone down to you!
He is filled with fury,
because he knows that his time is short.”
13 When the dragon saw that he had been hurled to the earth, he pursued the woman who had given birth to the male child. 14 The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent’s reach. 15 Then from his mouth the serpent spewed water like a river, to overtake the woman and sweep her away with the torrent. 16 But the earth helped the woman by opening its mouth and swallowing the river that the dragon had spewed out of his mouth. 17 Then the dragon was enraged at the woman and went off to wage war against the rest of her offspring—those who keep God’s commands and hold fast their testimony about Jesus.
Who Comes this Night?
http://youtu.be/2Rbhjm1-14c
Labels:
Christmas,
Holidays,
Music,
Things That Matter
Sunday, December 22, 2013
The Video
by Fleur Adcock
When Laura was born, Ceri watched.
They all gathered around Mum's bed —
Dad and the midwife and Mum's sister
and Ceri. "Move over a bit," Dad said —
he was trying to focus the camcorder
on Mum's legs and the baby's head.
After she had a little sister,
and Mum had gone back to being thin,
and was twice as busy, Ceri played
the video again and again.
She watched Laura come out, and then,
in reverse, she made her go back in.
When Laura was born, Ceri watched.
They all gathered around Mum's bed —
Dad and the midwife and Mum's sister
and Ceri. "Move over a bit," Dad said —
he was trying to focus the camcorder
on Mum's legs and the baby's head.
After she had a little sister,
and Mum had gone back to being thin,
and was twice as busy, Ceri played
the video again and again.
She watched Laura come out, and then,
in reverse, she made her go back in.
Friday, December 20, 2013
Christmas Light
by May Sarton
When everyone had gone
I sat in the library
With the small silent tree,
She and I alone.
How softly she shone!
And for the first time then
For the first time this year,
I felt reborn again,
I knew love's presence near.
Love distant, love detached
And strangely without weight,
Was with me in the night
When everyone had gone
And the garland of pure light
Stayed on, stayed on.
When everyone had gone
I sat in the library
With the small silent tree,
She and I alone.
How softly she shone!
And for the first time then
For the first time this year,
I felt reborn again,
I knew love's presence near.
Love distant, love detached
And strangely without weight,
Was with me in the night
When everyone had gone
And the garland of pure light
Stayed on, stayed on.
Friday, December 13, 2013
Mercy
by Stephen Dunn
The music was fidgety, arch,
an orchestral version of twang.
Welcome to atonal hell,
welcome to the execution
of a theory, I kept thinking,
thinking, thinking. I hadn't felt
a thing. Was it old fashioned
of me to want to? Or were feelings,
as usual, part of the problem?
The conductor seemed to flail
more than lead, his baton evidence
of something unresolved,
perhaps recent trouble at home.
And though I liked the cellist—
especially the way
she held her instrument—
unless you had a taste
for unhappiness
you didn't want to look
at the first violinists face.
My wife whispered to me
This music is better than it sounds.
I reminded myself the world outside
might be a worse place
than where I was now,
though that seemed little reason
to take heart. Instead
I closed my eyes, thought about
a certain mezzo soprano
who could gladden a sad day
anywhere, but one January night
in Milan went a full octave
into the beyond. Sometimes escape
can be an art, or a selfishness,
or just a gift you need
to give yourself. Whichever,
I disappeared for a while,
left my body behind to sit there, nod,
applaud a the appropriate time.
The music was fidgety, arch,
an orchestral version of twang.
Welcome to atonal hell,
welcome to the execution
of a theory, I kept thinking,
thinking, thinking. I hadn't felt
a thing. Was it old fashioned
of me to want to? Or were feelings,
as usual, part of the problem?
The conductor seemed to flail
more than lead, his baton evidence
of something unresolved,
perhaps recent trouble at home.
And though I liked the cellist—
especially the way
she held her instrument—
unless you had a taste
for unhappiness
you didn't want to look
at the first violinists face.
My wife whispered to me
This music is better than it sounds.
I reminded myself the world outside
might be a worse place
than where I was now,
though that seemed little reason
to take heart. Instead
I closed my eyes, thought about
a certain mezzo soprano
who could gladden a sad day
anywhere, but one January night
in Milan went a full octave
into the beyond. Sometimes escape
can be an art, or a selfishness,
or just a gift you need
to give yourself. Whichever,
I disappeared for a while,
left my body behind to sit there, nod,
applaud a the appropriate time.
Thursday, December 12, 2013
Chronic Prayers for Special Needs Families
I try to pray every morning. I mean intentionally sit down, pull out my cheat sheet and pray for everyone on it.
Naturally, the wee one is at the top of my list. But praying for something that in many ways will never get better can be rough.
Sometimes I pray in general: "God, heal her mind . . . heal her body . . ." Other times I pray more specifically - starting from her head and working my way down: Hydrocephalus, VP Shunt, Arnold Chiari II and so on . . .
But I always end my prayer for her the same way, "Lord, make her life beautiful - despite all the rest". I want my daughter's perception of her life to be wonderful. I want what all parents want - for my little one to enjoy life and be happy.
God spoke to me a couple weeks ago in the midst of my prayer and said, "Why don't you ask for the same thing for yourself?" See, while I want my daughter to be unconditionally happy, I have a bad habit of making my own happiness VERY conditional. I will be happy when I make more money, buy new dishes, lose some weight, and so on.
But life is RIGHT NOW and when you make your happiness conditional, you miss it. Like water running through your fingers.
So I have started to ask myself (and I have asked God to remind me) "What is beautiful in this moment?". Often it is the weather, a sunset, a friend and so on. And then I try to stop, acknowledge and give thanks.
Sometimes I get so wrapped up in what I want for my special needs daughter that I lose touch with what I want for myself. And really, I want for me what I want for her - I want my life to be beautiful - right NOW. Despite all the rest.
And you know what? It is. I am trying not to miss it. And I am giving thanks.
Naturally, the wee one is at the top of my list. But praying for something that in many ways will never get better can be rough.
Sometimes I pray in general: "God, heal her mind . . . heal her body . . ." Other times I pray more specifically - starting from her head and working my way down: Hydrocephalus, VP Shunt, Arnold Chiari II and so on . . .
But I always end my prayer for her the same way, "Lord, make her life beautiful - despite all the rest". I want my daughter's perception of her life to be wonderful. I want what all parents want - for my little one to enjoy life and be happy.
God spoke to me a couple weeks ago in the midst of my prayer and said, "Why don't you ask for the same thing for yourself?" See, while I want my daughter to be unconditionally happy, I have a bad habit of making my own happiness VERY conditional. I will be happy when I make more money, buy new dishes, lose some weight, and so on.
But life is RIGHT NOW and when you make your happiness conditional, you miss it. Like water running through your fingers.
So I have started to ask myself (and I have asked God to remind me) "What is beautiful in this moment?". Often it is the weather, a sunset, a friend and so on. And then I try to stop, acknowledge and give thanks.
Sometimes I get so wrapped up in what I want for my special needs daughter that I lose touch with what I want for myself. And really, I want for me what I want for her - I want my life to be beautiful - right NOW. Despite all the rest.
And you know what? It is. I am trying not to miss it. And I am giving thanks.
Labels:
Annabelle,
That's Life,
Things That Matter
Sunday, December 1, 2013
Jingle Bell Rock
http://www.youtube.com/watch?v=Y_23xi9ck10&feature=share&list=UU9PEibgWOqZ-1I1JdxRmr6g
Thursday, November 28, 2013
Regret
by Louis Jenkins
There's no use in regret. You can't change anything.
Your mother died unhappy with the way you turned
out. You and your father were not on speaking terms
when he died, and you left your wife for no good
reason. Well, it's past. You may as well regret missing
out on the conquest of Mexico. That would have been
just your kind of thing back when you were eighteen:
a bunch of murderous Spaniards, out to destroy a
culture and get rich. On the other hand, the Aztecs
were no great shakes either. It's hard to know whom
to root for in this situation. The Aztecs thought they
had to sacrifice lots of people to keep the sun coming
up every day. And it worked. The sun rose every day.
But it was backbreaking labor, all that sacrificing.
The priests had to call in the royal family to help,
and their neighbors, the gardener, the cooks.... You
can see how this is going to end. You are going to
have your bloody, beating heart ripped out, but you
are going to have to stand in line, in the hot sun, for
hours, waiting your turn.
There's no use in regret. You can't change anything.
Your mother died unhappy with the way you turned
out. You and your father were not on speaking terms
when he died, and you left your wife for no good
reason. Well, it's past. You may as well regret missing
out on the conquest of Mexico. That would have been
just your kind of thing back when you were eighteen:
a bunch of murderous Spaniards, out to destroy a
culture and get rich. On the other hand, the Aztecs
were no great shakes either. It's hard to know whom
to root for in this situation. The Aztecs thought they
had to sacrifice lots of people to keep the sun coming
up every day. And it worked. The sun rose every day.
But it was backbreaking labor, all that sacrificing.
The priests had to call in the royal family to help,
and their neighbors, the gardener, the cooks.... You
can see how this is going to end. You are going to
have your bloody, beating heart ripped out, but you
are going to have to stand in line, in the hot sun, for
hours, waiting your turn.
Tuesday, November 26, 2013
First Snowfall in St. Paul
by Katrina Vandenberg
This morning in the untouched lots
of Target, St. Agnes, and Lake
Phalen, girls all over the city
in the first snowfall
of their sixteenth year are being asked
by brothers, fathers—my cousin
Warren—to drive too fast then lock
their brakes, to teach them how to right
themselves. The whine of the wheels, the jerk
when they catch—from Sears to Como Park
to Harding High, the smoke
that bellows from their lungs,
the silver sets of jagged
keys, the spray of snow,
the driver's seat, the encouraging Go
This morning in the untouched lots
of Target, St. Agnes, and Lake
Phalen, girls all over the city
in the first snowfall
of their sixteenth year are being asked
by brothers, fathers—my cousin
Warren—to drive too fast then lock
their brakes, to teach them how to right
themselves. The whine of the wheels, the jerk
when they catch—from Sears to Como Park
to Harding High, the smoke
that bellows from their lungs,
the silver sets of jagged
keys, the spray of snow,
the driver's seat, the encouraging Go
Saturday, November 23, 2013
Ducks at Peace
by Hal Sirowitz
I'd like to take my family to the lake,
Father said, so they can see how well
the animal & fish kingdoms get along.
You hardly ever see ducks fighting.
If they do, it's done in private.
We should follow their example,
& not air out our dirty laundry in public.
That was what I told your mother
at the restaurant, that she should
save her complaints for when we
get home. She said she had already
complained there. She was hoping
she'd get better results if she changed locations.
I'd like to take my family to the lake,
Father said, so they can see how well
the animal & fish kingdoms get along.
You hardly ever see ducks fighting.
If they do, it's done in private.
We should follow their example,
& not air out our dirty laundry in public.
That was what I told your mother
at the restaurant, that she should
save her complaints for when we
get home. She said she had already
complained there. She was hoping
she'd get better results if she changed locations.
Thursday, November 21, 2013
Permission Granted
by David Allen Sullivan
You do not have to choose the bruised peach
or misshapen pepper others pass over.
You don't have to bury
your grandmother's keys underneath
her camellia bush as the will states.
You don't need to write a poem about
your grandfather coughing up his lung
into that plastic tube—the machine's wheezing
almost masking the kvetching sisters
in their Brooklyn kitchen.
You can let the crows amaze your son
without your translation of their cries.
You can lie so long under this
summer shower your imprint
will be left when you rise.
You can be stupid and simple as a heifer.
Cook plum and apple turnovers in the nude.
Revel in the flight of birds without
dreaming of flight. Remember the taste of
raw dough in your mouth as you edged a pie.
Feel the skin on things vibrate. Attune
yourself. Close your eyes. Hum.
Each beat of the world's pulse demands
only that you feel it. No thoughts.
Just the single syllable: Yes ...
See the homeless woman following
the tunings of a dead composer?
She closes her eyes and sways
with the subways. Follow her down,
inside, where the singing resides.
You do not have to choose the bruised peach
or misshapen pepper others pass over.
You don't have to bury
your grandmother's keys underneath
her camellia bush as the will states.
You don't need to write a poem about
your grandfather coughing up his lung
into that plastic tube—the machine's wheezing
almost masking the kvetching sisters
in their Brooklyn kitchen.
You can let the crows amaze your son
without your translation of their cries.
You can lie so long under this
summer shower your imprint
will be left when you rise.
You can be stupid and simple as a heifer.
Cook plum and apple turnovers in the nude.
Revel in the flight of birds without
dreaming of flight. Remember the taste of
raw dough in your mouth as you edged a pie.
Feel the skin on things vibrate. Attune
yourself. Close your eyes. Hum.
Each beat of the world's pulse demands
only that you feel it. No thoughts.
Just the single syllable: Yes ...
See the homeless woman following
the tunings of a dead composer?
She closes her eyes and sways
with the subways. Follow her down,
inside, where the singing resides.
Tuesday, November 19, 2013
Historic Shirt
by Mark Halliday
Ran into Alyssa and Todd and Alyssa said "I like your shirt"
and I laughed because it's obviously very old and she said
"But it looks so soft and comfortable" and I agreed
and Alyssa said "And that little heart is so sweet"
referring to the red velvet heart sewn on the left shoulder
so I said "There's a lot of history in that" and then had to explain
that my first wife sewed the heart on this shirt
for her boyfriend before me—and Alyssa said
"Wow, that seems symbolic of something!" and Todd laughed
and I said "It probably means that I refuse to let go of
any trace of the past" and Alyssa said "Or maybe it means
you refuse to be oppressed by the past" and I said
"That sounds good" and Todd sort of half smiled and Alyssa said
"You accept the past so it can't then turn around and bite you"
and for a half second this idea sparkled alarmingly in the air
and then we all smiled in order to let the scene end
Ran into Alyssa and Todd and Alyssa said "I like your shirt"
and I laughed because it's obviously very old and she said
"But it looks so soft and comfortable" and I agreed
and Alyssa said "And that little heart is so sweet"
referring to the red velvet heart sewn on the left shoulder
so I said "There's a lot of history in that" and then had to explain
that my first wife sewed the heart on this shirt
for her boyfriend before me—and Alyssa said
"Wow, that seems symbolic of something!" and Todd laughed
and I said "It probably means that I refuse to let go of
any trace of the past" and Alyssa said "Or maybe it means
you refuse to be oppressed by the past" and I said
"That sounds good" and Todd sort of half smiled and Alyssa said
"You accept the past so it can't then turn around and bite you"
and for a half second this idea sparkled alarmingly in the air
and then we all smiled in order to let the scene end
Monday, November 11, 2013
The Big Bang
by Louis Jenkins
When the morning comes that you don't wake up,
what remains of your life goes on as some kind of
electromagnetic energy. There's a slight chance you
might appear on someone's screen as a dot. Face it.
You are a blip or a ping, part of the background noise,
the residue of the Big Bang. You remember the Big
Bang, don't you? You were about 26 years old, driving
a brand new red and white Chevy convertible, with
that beautiful blond girl at your side. Charlene, was
her name. You had a case of beer on ice in the back,
cruising down Highway number 7 on a summer
afternoon and then you parked near Loon Lake just
as the moon began to rise. Way back then you said to
yourself, "Boy, it doesn't get any better than this," and
you were right.
When the morning comes that you don't wake up,
what remains of your life goes on as some kind of
electromagnetic energy. There's a slight chance you
might appear on someone's screen as a dot. Face it.
You are a blip or a ping, part of the background noise,
the residue of the Big Bang. You remember the Big
Bang, don't you? You were about 26 years old, driving
a brand new red and white Chevy convertible, with
that beautiful blond girl at your side. Charlene, was
her name. You had a case of beer on ice in the back,
cruising down Highway number 7 on a summer
afternoon and then you parked near Loon Lake just
as the moon began to rise. Way back then you said to
yourself, "Boy, it doesn't get any better than this," and
you were right.
Monday, November 4, 2013
Thanksgiving Recipes
As you probably do, every year I watch for new recipes to try and try to improve on old tried-and true ones.
Here are my favorite recipes for cranberries, sweet potatoes and, of course, TURKEY!
Cranberries
Sweet Potatoes
The Turkey is my personal recipe that I have been improving on over the years. Yes, there is a lot of turning involved but you will thank me!
1 whole turkey neck and gibblets removed
2 cups kosher salt
3 tablespoons garlic minced
1 tablespoon black pepper
1/3 cup brown sugar
1/4 cup Worcestershire sauce
2 large onions yellow, chopped
4 carrots peeled and chopped
4 stalks celery chopped
2 sprigs thyme
1 bay leaf
1 bottle white wine
2 cups butter melted
4 tablespoons onion powder (optional)
- rinse turkey, rub inside and out with kosher salt (use whatever amount is needed) place turkey in a large stock pot and add enough water to cover turkey 3/4 of the way
- place garlic, pepper and brown sugar in a sauce pan with 4 cups water and boil until sugar is dissolved. Add ice to cool mixture.
- Add worcestershire to mixture and pour over turkey. Add enough water to submerge the turkey and refrigerate overnight (12 hours)
- preheat oven to 350
- rinse turkey and discard the brine mixture
- stuff turkey with 1/2 the onions, 1/2 the carrots, 1/2 the celery, 1/2 the thyme and the bay leaf
- scatter remaining vegetables in the bottom of the roasting pan and pour in 1/3 of the white wine
- place turkey breast-side down on roasting rack and coat with 1/2 the melted butter (dust 1/2 the onion powder if desired)
- roast uncovered 3-3 1/2 hours (for an 8-10 pound turkey) until internal temperature of thigh is 180
- baste every 45 minutes or so
*2/3 of the way through the cooking process, turn turkey breast-side up (use two clean oven mitts to handle the turkey) and coat with the remaining butter and onion powder - continue cooking
- once done, remove from oven, turn turkey breast-side down on roasting rack and allow to cool for 30 minutes
- turn turkey breast-side up for serving
Carve!
Here are my favorite recipes for cranberries, sweet potatoes and, of course, TURKEY!
Cranberries
Sweet Potatoes
The Turkey is my personal recipe that I have been improving on over the years. Yes, there is a lot of turning involved but you will thank me!
1 whole turkey neck and gibblets removed
2 cups kosher salt
3 tablespoons garlic minced
1 tablespoon black pepper
1/3 cup brown sugar
1/4 cup Worcestershire sauce
2 large onions yellow, chopped
4 carrots peeled and chopped
4 stalks celery chopped
2 sprigs thyme
1 bay leaf
1 bottle white wine
2 cups butter melted
4 tablespoons onion powder (optional)
- rinse turkey, rub inside and out with kosher salt (use whatever amount is needed) place turkey in a large stock pot and add enough water to cover turkey 3/4 of the way
- place garlic, pepper and brown sugar in a sauce pan with 4 cups water and boil until sugar is dissolved. Add ice to cool mixture.
- Add worcestershire to mixture and pour over turkey. Add enough water to submerge the turkey and refrigerate overnight (12 hours)
- preheat oven to 350
- rinse turkey and discard the brine mixture
- stuff turkey with 1/2 the onions, 1/2 the carrots, 1/2 the celery, 1/2 the thyme and the bay leaf
- scatter remaining vegetables in the bottom of the roasting pan and pour in 1/3 of the white wine
- place turkey breast-side down on roasting rack and coat with 1/2 the melted butter (dust 1/2 the onion powder if desired)
- roast uncovered 3-3 1/2 hours (for an 8-10 pound turkey) until internal temperature of thigh is 180
- baste every 45 minutes or so
*2/3 of the way through the cooking process, turn turkey breast-side up (use two clean oven mitts to handle the turkey) and coat with the remaining butter and onion powder - continue cooking
- once done, remove from oven, turn turkey breast-side down on roasting rack and allow to cool for 30 minutes
- turn turkey breast-side up for serving
Carve!
Saturday, November 2, 2013
Weather
by Ron Koertge
Some of my friends claim they could
never live in California. They find
the regular beauty too much like
a postcard with its predictable
tanka.
And, anyway, how do I ever get
anything done with the sun luring
everyone to the first tee
or the pari-mutuel windows,
much less the way the chairs
all seem to lean back under a tree,
a cat ready to curl up on my lap
or at my sandaled feet.
They prefer the bracing rigors
of snow and rain. They write
about its feet and inches, all
they endure to buy an orange
or see a movie as they
picture me, probably, still on
my chaise, their letter falling
from one languid hand onto
the voluptuous lawn.
Some of my friends claim they could
never live in California. They find
the regular beauty too much like
a postcard with its predictable
tanka.
And, anyway, how do I ever get
anything done with the sun luring
everyone to the first tee
or the pari-mutuel windows,
much less the way the chairs
all seem to lean back under a tree,
a cat ready to curl up on my lap
or at my sandaled feet.
They prefer the bracing rigors
of snow and rain. They write
about its feet and inches, all
they endure to buy an orange
or see a movie as they
picture me, probably, still on
my chaise, their letter falling
from one languid hand onto
the voluptuous lawn.
Saturday, October 26, 2013
i thank You God for most this amazing
by E. E. Cummings
i thank You God for most this amazing
day: for the leaping greenly spirits of trees
and a blue true dream of sky; and for everything
which is natural which is infinite which is yes
(i who have died am alive again today,
and this is the sun's birthday; this is the birth
day of life and of love and wings: and of the gay
great happening illimitably earth)
how should tasting touching hearing seeing
breathing any—lifted from the no
of all nothing—human merely being
doubt unimaginable You?
(now the ears of my ears awake and
now the eyes of my eyes are opened)
i thank You God for most this amazing
day: for the leaping greenly spirits of trees
and a blue true dream of sky; and for everything
which is natural which is infinite which is yes
(i who have died am alive again today,
and this is the sun's birthday; this is the birth
day of life and of love and wings: and of the gay
great happening illimitably earth)
how should tasting touching hearing seeing
breathing any—lifted from the no
of all nothing—human merely being
doubt unimaginable You?
(now the ears of my ears awake and
now the eyes of my eyes are opened)
Friday, October 25, 2013
Nursery, 11:00 p.m.
by Robyn Sarah
Asleep, the two of you,
daughter and son, in separate cribs,
what does it matter to you
that I stand watching you now,
I, the mother who did not smile all day,
who yelled, Go away, get out, leave me alone
when the soup-pot tipped over on the stove,
the mother who burned the muffins
and hustled bedtime, tight-lipped.
You are far away,
beyond reach of whispered
amends. Yet your calm
breathing seems to forgive,
unwinding
into the air to mesh
like lace, knitting together
the holes in the dark.
It makes of this dark
one whole covering
to shawl around me.
How warm it is, I think,
how much softer
than my deserving.
Asleep, the two of you,
daughter and son, in separate cribs,
what does it matter to you
that I stand watching you now,
I, the mother who did not smile all day,
who yelled, Go away, get out, leave me alone
when the soup-pot tipped over on the stove,
the mother who burned the muffins
and hustled bedtime, tight-lipped.
You are far away,
beyond reach of whispered
amends. Yet your calm
breathing seems to forgive,
unwinding
into the air to mesh
like lace, knitting together
the holes in the dark.
It makes of this dark
one whole covering
to shawl around me.
How warm it is, I think,
how much softer
than my deserving.
Saturday, October 19, 2013
On Another's Sorrow
by William Blake
Can I see anothers woe,
And not be in sorrow too.
Can I see anothers grief,
And not seek for kind relief.
Can I see a falling tear
And not feel my sorrows share,
Can a father see his child,
Weep, nor be with sorrow fill'd.
Can a mother sit and hear,
An infant groan an infant fear—
No no never can it be.
Never never can it be.
And can he who smiles on all
Hear the wren with sorrows small,
Hear the small birds grief & care
Hear the woes that infants bear—
And not sit beside the nest
Pouring pity in their breast,
And not sit the cradle near
Weeping tear on infants tear.
And not sit both night & day,
Wiping all our tears away.
O! no never can it be.
Never never can it be.
He doth give his joy to all.
He becomes an infant small.
He becomes a man of woe
He doth feel the sorrow too.
Think not, thou canst sigh a sigh,
And thy maker is not by.
Think not thou canst weep a tear,
And thy maker is not near.
O! he gives to us his joy,
That our grief he may destroy
Till our grief is fled & gone
He doth sit by us and moan
Can I see anothers woe,
And not be in sorrow too.
Can I see anothers grief,
And not seek for kind relief.
Can I see a falling tear
And not feel my sorrows share,
Can a father see his child,
Weep, nor be with sorrow fill'd.
Can a mother sit and hear,
An infant groan an infant fear—
No no never can it be.
Never never can it be.
And can he who smiles on all
Hear the wren with sorrows small,
Hear the small birds grief & care
Hear the woes that infants bear—
And not sit beside the nest
Pouring pity in their breast,
And not sit the cradle near
Weeping tear on infants tear.
And not sit both night & day,
Wiping all our tears away.
O! no never can it be.
Never never can it be.
He doth give his joy to all.
He becomes an infant small.
He becomes a man of woe
He doth feel the sorrow too.
Think not, thou canst sigh a sigh,
And thy maker is not by.
Think not thou canst weep a tear,
And thy maker is not near.
O! he gives to us his joy,
That our grief he may destroy
Till our grief is fled & gone
He doth sit by us and moan
Wednesday, October 16, 2013
If--
by Rudyard Kipling
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you.
But make allowance for their doubting too;
If you can wait and not be tired by waiting.
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise:
If you can dream—and not make dreams your master
If you can think—and not make thoughts your aim
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools.
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools:
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: 'Hold on!'
If you can talk with crowds and keep your virtue,
Or walk with Kings—nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run.
Yours is the Earth and everything that's in it,
And—which is more—you'll be a Man, my son!
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you.
But make allowance for their doubting too;
If you can wait and not be tired by waiting.
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise:
If you can dream—and not make dreams your master
If you can think—and not make thoughts your aim
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools.
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools:
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: 'Hold on!'
If you can talk with crowds and keep your virtue,
Or walk with Kings—nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run.
Yours is the Earth and everything that's in it,
And—which is more—you'll be a Man, my son!
Monday, October 14, 2013
5
by E. E. Cummings
O sweet spontaneous
earth how often have
the
doting
fingers of
prurient philosophers pinched
and
poked
thee
, has the naughty thumb
of science prodded
thy
beauty how
often have religions taken
thee upon their scraggy knees
squeezing and
buffeting thee that thou mightest conceive
gods
(but
true
to the incomparable
couch of death thy
rhythmic
lover
thou answerest
them only with
spring)
O sweet spontaneous
earth how often have
the
doting
fingers of
prurient philosophers pinched
and
poked
thee
, has the naughty thumb
of science prodded
thy
beauty how
often have religions taken
thee upon their scraggy knees
squeezing and
buffeting thee that thou mightest conceive
gods
(but
true
to the incomparable
couch of death thy
rhythmic
lover
thou answerest
them only with
spring)
Friday, October 11, 2013
The Poetry Teacher
by Mary Oliver
The university gave me a new, elegant
classroom to teach in. Only one thing,
they said. You can't bring your dog.
It's in my contract, I said. (I had
made sure of that.)
We bargained and I moved to an old
classroom in an old building. Propped
the door open. Kept a bowl of water
in the room. I could hear Ben among
other voices barking, howling in the
distance. Then they would all arrive—
Ben, his pals, maybe an unknown dog
or two, all of them thirsty and happy.
They drank, they flung themselves down
among the students. The students loved
it. They all wrote thirsty, happy poems.
The university gave me a new, elegant
classroom to teach in. Only one thing,
they said. You can't bring your dog.
It's in my contract, I said. (I had
made sure of that.)
We bargained and I moved to an old
classroom in an old building. Propped
the door open. Kept a bowl of water
in the room. I could hear Ben among
other voices barking, howling in the
distance. Then they would all arrive—
Ben, his pals, maybe an unknown dog
or two, all of them thirsty and happy.
They drank, they flung themselves down
among the students. The students loved
it. They all wrote thirsty, happy poems.
Tuesday, October 8, 2013
The Rules of the New Car
by Wesley McNair
After I got married and became
the stepfather of two children, just before
we had two more, I bought it, the bright
blue sorrowful car that slowly turned
to scratches and the flat black spots
of gum in the seats and stains impossible
to remove from the floor mats. "Never again,"
I said as our kids, four of them by now,
climbed into the new car. "This time,
there will be rules." The first to go
was the rule I made for myself about
cleaning it once a week, though why,
I shouted at the kids in the rearview mirror,
should I have to clean it if they would just
remember to fold their hands. Three years
later, it was the same car I had before,
except for the dent my wife put in the grille
when, ignoring the regulation about snacks,
she reached for a bag of chips on her way
home from work and hit a tow truck. Oh,
the ache I felt for the broken rules,
and the beautiful car that had been lost,
and the car that we now had, on soft
shocks in the driveway, still unpaid for.
Then one day, for no particular reason except
that the car was loaded down with wood
for the fireplace at my in-laws' camp
and groceries and sheets and clothes
for the week, my wife in the passenger seat,
the dog lightly panting beside the kids in the back,
all innocent anticipation, waiting for me
to join them, I opened the door to my life.
After I got married and became
the stepfather of two children, just before
we had two more, I bought it, the bright
blue sorrowful car that slowly turned
to scratches and the flat black spots
of gum in the seats and stains impossible
to remove from the floor mats. "Never again,"
I said as our kids, four of them by now,
climbed into the new car. "This time,
there will be rules." The first to go
was the rule I made for myself about
cleaning it once a week, though why,
I shouted at the kids in the rearview mirror,
should I have to clean it if they would just
remember to fold their hands. Three years
later, it was the same car I had before,
except for the dent my wife put in the grille
when, ignoring the regulation about snacks,
she reached for a bag of chips on her way
home from work and hit a tow truck. Oh,
the ache I felt for the broken rules,
and the beautiful car that had been lost,
and the car that we now had, on soft
shocks in the driveway, still unpaid for.
Then one day, for no particular reason except
that the car was loaded down with wood
for the fireplace at my in-laws' camp
and groceries and sheets and clothes
for the week, my wife in the passenger seat,
the dog lightly panting beside the kids in the back,
all innocent anticipation, waiting for me
to join them, I opened the door to my life.
Monday, October 7, 2013
It Is Marvellous...
by Elizabeth Bishop
It is marvellous to wake up together
At the same minute; marvellous to hear
The rain begin suddenly all over the roof,
To feel the air clear
As if electricity had passed through it
From a black mesh of wires in the sky.
All over the roof the rain hisses,
And below, the light falling of kisses.
An electrical storm is coming or moving away;
It is the prickling air that wakes us up.
If lightning struck the house now, it would run
From the four blue china balls on top
Down the roof and down the rods all around us,
And we imagine dreamily
How the whole house caught in a bird-cage of lightning
Would be quite delightful rather than frightening;
And from the same simplified point of view
Of night and lying flat on one's back
All things might change equally easily,
Since always to warn us there must be these black
Electrical wires dangling. Without surprise
The world might change to something quite different,
As the air changes or the lightning comes without our blinking,
Change as our kisses are changing without our thinking.
It is marvellous to wake up together
At the same minute; marvellous to hear
The rain begin suddenly all over the roof,
To feel the air clear
As if electricity had passed through it
From a black mesh of wires in the sky.
All over the roof the rain hisses,
And below, the light falling of kisses.
An electrical storm is coming or moving away;
It is the prickling air that wakes us up.
If lightning struck the house now, it would run
From the four blue china balls on top
Down the roof and down the rods all around us,
And we imagine dreamily
How the whole house caught in a bird-cage of lightning
Would be quite delightful rather than frightening;
And from the same simplified point of view
Of night and lying flat on one's back
All things might change equally easily,
Since always to warn us there must be these black
Electrical wires dangling. Without surprise
The world might change to something quite different,
As the air changes or the lightning comes without our blinking,
Change as our kisses are changing without our thinking.
Sunday, September 22, 2013
How It Is with Us, and How It Is with Them
by Mary Oliver
We become religious,
then we turn from it,
then we are in need and maybe we turn back.
We turn to making money,
then we turn to the moral life,
then we think about money again.
We meet wonderful people, but lose them
in our busyness.
We're, as the saying goes, all over the place.
Steadfastness, it seems,
is more about dogs than about us.
One of the reasons we love them so much.
We become religious,
then we turn from it,
then we are in need and maybe we turn back.
We turn to making money,
then we turn to the moral life,
then we think about money again.
We meet wonderful people, but lose them
in our busyness.
We're, as the saying goes, all over the place.
Steadfastness, it seems,
is more about dogs than about us.
One of the reasons we love them so much.
Monday, September 16, 2013
They're Taking Chocolate Milk Off the Menu,
by Kim Dower
and that's only the beginning.
I hear other junk food is at risk:
brownies, pastries, name it,
they're removing it, the only chance
fifth graders have at happiness.
The only thing I looked forward to
was chocolate milk, especially after
getting yelled at by Miss Paniotoo.
I once poured a carton over her "in"
box, watched the ink bleed down
the equation-filled pages, blurring
the names of my classmates,
never told anyone, not even Donna Nagy,
and now they're taking it off the menu.
What will our kids be forced to do?
Will they devour each other?
Eat one another's faces, run across
the handball court sword fighting
with dry straws, wasted with desire?
Word just in they're even removing
strawberry milk. We never had that.
I'm sure it didn't smell like the chocolate:
a little sour like yesterday's dessert.
We had to drink it before it turned,
when it was still cold enough
that even our mittens couldn't protect us.
and that's only the beginning.
I hear other junk food is at risk:
brownies, pastries, name it,
they're removing it, the only chance
fifth graders have at happiness.
The only thing I looked forward to
was chocolate milk, especially after
getting yelled at by Miss Paniotoo.
I once poured a carton over her "in"
box, watched the ink bleed down
the equation-filled pages, blurring
the names of my classmates,
never told anyone, not even Donna Nagy,
and now they're taking it off the menu.
What will our kids be forced to do?
Will they devour each other?
Eat one another's faces, run across
the handball court sword fighting
with dry straws, wasted with desire?
Word just in they're even removing
strawberry milk. We never had that.
I'm sure it didn't smell like the chocolate:
a little sour like yesterday's dessert.
We had to drink it before it turned,
when it was still cold enough
that even our mittens couldn't protect us.
Friday, September 13, 2013
Red Rover
by Connie Wanek
What courage we had,
our infantry stretched across the yard,
no shields, no swords,
no cavalry assembled behind us
calming their nervous mounts.
We had the strength of our arms,
the speed of our legs.
We had our friends and our convictions.
Opposite us, the undulating line
of children drew suddenly straight.
It was early on a summer day
but the larks fell silent.
A high voice
invoked the name Red Rover;
we could not say who said it first.
But righteousness passed through us
like current through a wire.
Or like an inaugural sip of wine
burning in our chests,
something father gave us
over our mother's earnest
protestations.
What courage we had,
our infantry stretched across the yard,
no shields, no swords,
no cavalry assembled behind us
calming their nervous mounts.
We had the strength of our arms,
the speed of our legs.
We had our friends and our convictions.
Opposite us, the undulating line
of children drew suddenly straight.
It was early on a summer day
but the larks fell silent.
A high voice
invoked the name Red Rover;
we could not say who said it first.
But righteousness passed through us
like current through a wire.
Or like an inaugural sip of wine
burning in our chests,
something father gave us
over our mother's earnest
protestations.
Thursday, September 5, 2013
Practicing
by Linda Pastan
My son is practicing the piano.
He is a man now, not the boy
whose lessons I once sat through,
whose reluctant practicing
I demanded—part of the obligation
I felt to the growth
and composition of a child.
Upstairs my grandchildren are sleeping,
though they complained earlier of the music
which rises like smoke up through the floorboards,
coloring the fabric of their dreams.
On the porch my husband watches the garden fade
into summer twilight, flower by flower;
it must be a little like listening to the fading
diminuendo notes of Mozart.
But here where the dining room table
has been pushed aside to make room
for this second or third-hand upright,
my son is playing the kind of music
it took him all these years,
and sons of his own, to want to make.
My son is practicing the piano.
He is a man now, not the boy
whose lessons I once sat through,
whose reluctant practicing
I demanded—part of the obligation
I felt to the growth
and composition of a child.
Upstairs my grandchildren are sleeping,
though they complained earlier of the music
which rises like smoke up through the floorboards,
coloring the fabric of their dreams.
On the porch my husband watches the garden fade
into summer twilight, flower by flower;
it must be a little like listening to the fading
diminuendo notes of Mozart.
But here where the dining room table
has been pushed aside to make room
for this second or third-hand upright,
my son is playing the kind of music
it took him all these years,
and sons of his own, to want to make.
Labels:
Family,
Fatherhood,
Music,
Poetry
Thursday, August 29, 2013
Dog Music
by Paul Zimmer
Amongst dogs are listeners and singers.
My big dog sang with me so purely,
puckering her ruffled lips into an O,
beginning with small, swallowing sounds
like Coltrane musing, then rising to power
and resonance, gulping air to continue—
her passion and sense of flawless form—
singing with me, but mostly for the art of dogs.
We joined in many fine songs—"Stardust,"
"Naima," "The Trout," "Jeg elsker Dig," "Perdido."
She was a great master and died young,
leaving me with unrelieved grief,
her talents known only to a few.
Now I have a small dog who does not sing
but listens with discernment, requiring
skill and spirit in my falsetto voice.
When I sing her name and words of love,
Andante, con brio, vivace, adagio,
at times she is so moved she turns
to place her paw across her snout,
closing her eyes, sighing like a girl
I held and danced with years ago.
But I am a pretender to dog music.
Indeed, true strains rise only from
the rich, red chambers of a canine heart;
these melodies best when the moon is up,
listeners and singers together and apart,
beyond friendship and anger,
far from any human imposter—
songs of bones, turds, conquests,
hunts and scents, ballads of
long nights lifting to starlight.
Amongst dogs are listeners and singers.
My big dog sang with me so purely,
puckering her ruffled lips into an O,
beginning with small, swallowing sounds
like Coltrane musing, then rising to power
and resonance, gulping air to continue—
her passion and sense of flawless form—
singing with me, but mostly for the art of dogs.
We joined in many fine songs—"Stardust,"
"Naima," "The Trout," "Jeg elsker Dig," "Perdido."
She was a great master and died young,
leaving me with unrelieved grief,
her talents known only to a few.
Now I have a small dog who does not sing
but listens with discernment, requiring
skill and spirit in my falsetto voice.
When I sing her name and words of love,
Andante, con brio, vivace, adagio,
at times she is so moved she turns
to place her paw across her snout,
closing her eyes, sighing like a girl
I held and danced with years ago.
But I am a pretender to dog music.
Indeed, true strains rise only from
the rich, red chambers of a canine heart;
these melodies best when the moon is up,
listeners and singers together and apart,
beyond friendship and anger,
far from any human imposter—
songs of bones, turds, conquests,
hunts and scents, ballads of
long nights lifting to starlight.
Wednesday, August 28, 2013
Song of Smoke
by Kevin Young
To watch you walk
cross the room in your black
corduroys is to see
civilization start—
the wish-
whish-whisk
of your strut is flint
striking rock—the spark
of a length of cord
rubbed till
smoke starts—you stir
me like coal
and for days smolder.
I am no more
a Boy Scout and besides,
could never
put you out—you
keep me on
all day like an iron, out
of habit—
you threaten, brick—
house, to burn
all this down. You leave me
only a chimney.
To watch you walk
cross the room in your black
corduroys is to see
civilization start—
the wish-
whish-whisk
of your strut is flint
striking rock—the spark
of a length of cord
rubbed till
smoke starts—you stir
me like coal
and for days smolder.
I am no more
a Boy Scout and besides,
could never
put you out—you
keep me on
all day like an iron, out
of habit—
you threaten, brick—
house, to burn
all this down. You leave me
only a chimney.
Sunday, August 25, 2013
The End
by Victoria Redel
At the end of the marriage they lay down on their big, exhausted bed.
It was crowded with all the men and women they had ever loved.
Of course their fathers and mothers were there and a boy in uniform
she'd kissed on a stairwell. His first wife spooned her first husband.
Ridiculous Affair held hands with Stupendous Infatuation.
There was a racket of dreaming and, though both were tired
from the difficult end and in need of sleep, neither could sleep,
so they began telling each other the long, good story of their love.
She was wearing the red dress. The white boat hitched to the wood dock
filled with rainwater. The swans were again teaching the young to fly.
The story went out to nice dinners, took summer holidays, and by the time
they were done, the old loves rolled over in a jumble on the floor,
and, because this is what they knew to do well with one another,
they made love, and then without thinking it was the last time, said,
I love you, and fell asleep under the heavy, blue coverlet.
At the end of the marriage they lay down on their big, exhausted bed.
It was crowded with all the men and women they had ever loved.
Of course their fathers and mothers were there and a boy in uniform
she'd kissed on a stairwell. His first wife spooned her first husband.
Ridiculous Affair held hands with Stupendous Infatuation.
There was a racket of dreaming and, though both were tired
from the difficult end and in need of sleep, neither could sleep,
so they began telling each other the long, good story of their love.
She was wearing the red dress. The white boat hitched to the wood dock
filled with rainwater. The swans were again teaching the young to fly.
The story went out to nice dinners, took summer holidays, and by the time
they were done, the old loves rolled over in a jumble on the floor,
and, because this is what they knew to do well with one another,
they made love, and then without thinking it was the last time, said,
I love you, and fell asleep under the heavy, blue coverlet.
Thursday, August 22, 2013
Monday, August 19, 2013
American Cheese
by Jim Daniels
At department parties, I eat cheeses
my parents never heard of—gooey
pale cheeses speaking garbled tongues.
I have acquired a taste, yes, and that's
okay, I tell myself. I grew up in a house
shaded by the factory's clank and clamor.
A house built like a square of sixty-four
American Singles, the ones my mother made lunches
With—for the hungry man who disappeared
into that factory, and five hungry kids.
American Singles. Yellow mustard. Day-old
Wonder Bread. Not even Swiss, with its mysterious
holes. We were sparrows and starlings
still learning how the blue jay stole our eggs,
our nest eggs. Sixty-four Singles wrapped in wax—
dig your nails in to separate them.
When I come home, I crave—more than any home
cooking—those thin slices in the fridge. I fold
one in half, drop it in my mouth. My mother
can't understand. Doesn't remember me
being a cheese eater, plain like that.
At department parties, I eat cheeses
my parents never heard of—gooey
pale cheeses speaking garbled tongues.
I have acquired a taste, yes, and that's
okay, I tell myself. I grew up in a house
shaded by the factory's clank and clamor.
A house built like a square of sixty-four
American Singles, the ones my mother made lunches
With—for the hungry man who disappeared
into that factory, and five hungry kids.
American Singles. Yellow mustard. Day-old
Wonder Bread. Not even Swiss, with its mysterious
holes. We were sparrows and starlings
still learning how the blue jay stole our eggs,
our nest eggs. Sixty-four Singles wrapped in wax—
dig your nails in to separate them.
When I come home, I crave—more than any home
cooking—those thin slices in the fridge. I fold
one in half, drop it in my mouth. My mother
can't understand. Doesn't remember me
being a cheese eater, plain like that.
Wednesday, August 14, 2013
Quote of the Day
If you love deeply, you're going to get hurt badly. But it's still worth it...
- CS Lewis
- CS Lewis
Tuesday, August 13, 2013
One Woman
by Ron Carlson
Oh, the old love song again and again
devotion and desire without end,
a woman half dressed somewhere and
being admired, or dressed and being admired.
These men go off alone into their rooms
and write it down: she was this and she was that.
Every man says she's the woman above all,
on a pedestal, though no one says pedestal,
that would be crazy,
and there's a thousand of these poems,
and by that I mean a million declarations
of this singular love of this one of a kind woman,
so rare, an absolute phenomenon which
many times rivals the moon or the oceans,
or the wind in the trees or night or any of the
furniture of night or day.
You see what I mean:
big unknowable things.
What are we to make of it? This:
it's true. Each man is telling the truth.
Each woman puts all the other women second.
It's the way. The strap of her gown off her shoulder,
and the paradox prevails. These poems are
all true. Each woman stands alone
in the doorway or on the pedestal
in the perfect light.
Oh, the old love song again and again
devotion and desire without end,
a woman half dressed somewhere and
being admired, or dressed and being admired.
These men go off alone into their rooms
and write it down: she was this and she was that.
Every man says she's the woman above all,
on a pedestal, though no one says pedestal,
that would be crazy,
and there's a thousand of these poems,
and by that I mean a million declarations
of this singular love of this one of a kind woman,
so rare, an absolute phenomenon which
many times rivals the moon or the oceans,
or the wind in the trees or night or any of the
furniture of night or day.
You see what I mean:
big unknowable things.
What are we to make of it? This:
it's true. Each man is telling the truth.
Each woman puts all the other women second.
It's the way. The strap of her gown off her shoulder,
and the paradox prevails. These poems are
all true. Each woman stands alone
in the doorway or on the pedestal
in the perfect light.
Thursday, August 8, 2013
Small Comfort
by Katha Pollitt
Coffee and cigarettes in a clean cafe,
forsythia lit like a damp match against
a thundery sky drunk on its own ozone,
the laundry cool and crisp and folded away
again in the lavender closet-too late to find
comfort enough in such small daily moments
of beauty, renewal, calm, too late to imagine
people would rather be happy than suffering
and inflicting suffering. We're near the end,
but O before the end, as the sparrows wing
each night to their secret nests in the elm's green dome
O let the last bus bring
love to lover, let the starveling
dog turn the corner and lope suddenly
miraculously, down its own street, home.
Coffee and cigarettes in a clean cafe,
forsythia lit like a damp match against
a thundery sky drunk on its own ozone,
the laundry cool and crisp and folded away
again in the lavender closet-too late to find
comfort enough in such small daily moments
of beauty, renewal, calm, too late to imagine
people would rather be happy than suffering
and inflicting suffering. We're near the end,
but O before the end, as the sparrows wing
each night to their secret nests in the elm's green dome
O let the last bus bring
love to lover, let the starveling
dog turn the corner and lope suddenly
miraculously, down its own street, home.
Next Time
by Joyce Sutphen
I'll know the names of all of the birds
and flowers, and not only that, I'll
tell you the name of the piano player
I'm hearing right now on the kitchen
radio, but I won't be in the kitchen,
I'll be walking a street in
New York or London, about
to enter a coffee shop where people
are reading or working on their
laptops. They'll look up and smile.
Next time I won't waste my heart
on anger; I won't care about
being right. I'll be willing to be
wrong about everything and to
concentrate on giving myself away.
Next time, I'll rush up to people I love,
look into their eyes, and kiss them, quick.
I'll give everyone a poem I didn't write,
one specially chosen for that person.
They'll hold it up and see a new
world. We'll sing the morning in,
and I will keep in touch with friends,
writing long letters when I wake from
a dream where they appear on the
Orient Express. "Meet me in Istanbul,"
I'll say, and they will.
I'll know the names of all of the birds
and flowers, and not only that, I'll
tell you the name of the piano player
I'm hearing right now on the kitchen
radio, but I won't be in the kitchen,
I'll be walking a street in
New York or London, about
to enter a coffee shop where people
are reading or working on their
laptops. They'll look up and smile.
Next time I won't waste my heart
on anger; I won't care about
being right. I'll be willing to be
wrong about everything and to
concentrate on giving myself away.
Next time, I'll rush up to people I love,
look into their eyes, and kiss them, quick.
I'll give everyone a poem I didn't write,
one specially chosen for that person.
They'll hold it up and see a new
world. We'll sing the morning in,
and I will keep in touch with friends,
writing long letters when I wake from
a dream where they appear on the
Orient Express. "Meet me in Istanbul,"
I'll say, and they will.
Wednesday, August 7, 2013
Quote of the Day
Hell is a state where everyone is perpetually concerned about his own dignity and advancement and where everyone has a grievance.
- CS Lewis
- CS Lewis
Thursday, August 1, 2013
Quote of the Day
Pull my chin, stroke my hair,
scratch my nose, hug my knees
Try drink, food, cigarette, tension will not ease
I tap my fingers, fold my arms, breathe in deep, cross my legs
Shrug my shoulders, stretch my back - but nothing seems
to please
I need contact
- Peter Gabriel
scratch my nose, hug my knees
Try drink, food, cigarette, tension will not ease
I tap my fingers, fold my arms, breathe in deep, cross my legs
Shrug my shoulders, stretch my back - but nothing seems
to please
I need contact
- Peter Gabriel
Labels:
Love,
Music,
Quote of the Day,
That's Life
Wednesday, July 31, 2013
Taking Out the Trash
by George Bilgere
I remember as a child
watching my fader take out the trash
at the frozen crack of dawn, cursing
as he dragged the stinking cans to the curb,
and thinking, that's not something
I'm ever going to do.
In other ways I was a model son,
standing at the mirror as he shaved,
dabbing the warm cream on my cheek,
dreaming of a razor
and whiskers of my very own.
Watching him light up
as he read the Sunday paper,
one eye squinted against smoke
and bad news, had me reading the funnies
before I could even read, my eye
squinted against nothing.
And the deft, one-handed way
he straightened his fedora's brim,
while at the same time
adjusting the coordinates
of rake and tilt,
makes me regret that the hat,
like my father, has vanished,
along with the strop and razor,
and lathery bowl of curds.
Even smoking, and the Sunday paper
are on their way out.
These are the losses I'm mourning
this morning as I drag the stinking
trash cans to the curb.
I remember as a child
watching my fader take out the trash
at the frozen crack of dawn, cursing
as he dragged the stinking cans to the curb,
and thinking, that's not something
I'm ever going to do.
In other ways I was a model son,
standing at the mirror as he shaved,
dabbing the warm cream on my cheek,
dreaming of a razor
and whiskers of my very own.
Watching him light up
as he read the Sunday paper,
one eye squinted against smoke
and bad news, had me reading the funnies
before I could even read, my eye
squinted against nothing.
And the deft, one-handed way
he straightened his fedora's brim,
while at the same time
adjusting the coordinates
of rake and tilt,
makes me regret that the hat,
like my father, has vanished,
along with the strop and razor,
and lathery bowl of curds.
Even smoking, and the Sunday paper
are on their way out.
These are the losses I'm mourning
this morning as I drag the stinking
trash cans to the curb.
Sunday, July 28, 2013
Quote of the Day
Society at large cannot make up its mind about men. Having spent the last 30 years redefining masculinity into something more sensitive, safe, manageable and, well, feminine, it now berates men for not being men. . . . "Where are all the real men?" is regular fare for talk shows and new books. "You asked them to be women", I want to say.
- John Eldredge - Wild at Heart
- John Eldredge - Wild at Heart
Saturday, July 27, 2013
Quote of the Day
Try to exclude the possibility of suffering and you find that you have excluded life itself.
- CS Lewis
- CS Lewis
Friday, July 26, 2013
A Monorhyme for the Shower
by Dick Davis
Lifting her arms to soap her hair
Her pretty breasts respond—and there
The movement of that buoyant pair
Is like a spell to make me swear
Twenty-odd years have turned to air;
Now she's the girl I didn't dare
Approach, ask out, much less declare
My love to, mired in young despair.
Childbearing, rows, domestic care—
All the prosaic wear and tear
That constitute the life we share—
Slip from her beautiful and bare
Bright body as, made half aware
Of my quick surreptitious stare,
She wrings the water from her hair
And turning smiles to see me there.
Lifting her arms to soap her hair
Her pretty breasts respond—and there
The movement of that buoyant pair
Is like a spell to make me swear
Twenty-odd years have turned to air;
Now she's the girl I didn't dare
Approach, ask out, much less declare
My love to, mired in young despair.
Childbearing, rows, domestic care—
All the prosaic wear and tear
That constitute the life we share—
Slip from her beautiful and bare
Bright body as, made half aware
Of my quick surreptitious stare,
She wrings the water from her hair
And turning smiles to see me there.
Wednesday, July 24, 2013
Quote of the Day
Christ works on us through nature, books, our bodies, & sometimes experiences which seem (at the time) anti-Christian.
- CS Lewis
- CS Lewis
Quote of the Day
Human beings can't make one another really happy for long, you can't love someone fully until you love God.
- CS Lewis
- CS Lewis
Monday, July 22, 2013
Sunday, July 21, 2013
Quote of the Day
Don't ask yourself what the world needs. Ask yourself what makes you come alive, and go do that, because what the world needs is people who have come alive.
- Gil Bailie
- Gil Bailie
Saturday, July 20, 2013
Come On Home
http://youtu.be/7d4LQR7kawg
Dark clouds are comin' like an army
Soon the sky will open up and disarm me
You will go just like you've gone before
One sad soldier off to war, enemies that only you can see.
Dishes stacked, the table cleared
It's always like the scene of the last supper here
You speak so cryptically that's not news to me
The flood is here it will carry you
And I've got work to do.
Come on home, the team you're hitched to has a mind of its own
But it's just the forces of your past you've fought before
Come back here and shut the door
I'm stacking sandbags against the river of your troubles.
There is fire there is lust
Some will trade it all for someone they could trust
There's a bag of silver for a box of nails
It's so simple the betrayal
Though it's known to change the world and what's to come.
Just come on home, the team you're hitched to has a mind of its own
But it's just the forces of your past you've fought before
Don't you recognize them anymore
I'm stacking sandbags against the river of your troubles.
There's the given and the expected
I count my blessings while I eye what I've neglected
Is this for better is this for worse
You're all jammed up and the dam's about to burst.
I hear the owl in the night
I realize that some things never are made right
By some will we string together here
Days to months and months to years
What if everything we have adds up to nothing.
Come on home, the team you're hitched to has a mind of its own
But it's just the forces of your past you've fought before
Come back here and shut the door
I'm stacking sandbags against the river of your troubles.
Thursday, July 18, 2013
Wednesday, July 17, 2013
That Reminds Me
by Ogden Nash
Just imagine yourself seated on a shadowy terrace,
And beside you is a girl who stirs you more strangely than an
heiress,
It is a summer evening at its most superb,
And the moonlight reminds you that To Love is an active verb.
And your hand clasps hers, which rests there without shrinking,
And after a silence fraught with romance you ask her what she is
thinking,
And she starts and returns from the moon-washed distances to the
shadowy veranda,
And says, Oh I was wondering how many bamboo shoots a day it
takes to feed a baby Giant Panda.
Or you stand with her on a hilltop and gaze on a winter sunset,
And everything is as starkly beautiful as a page from Sigrid Undset,
And your arm goes round her waist and you make an avowal
which for masterfully marshaled emotional content might have
been a page of Ouida's or Thackeray's,
And after a silence fraught with romance she says, I forgot to or-
der the limes for the Daiquiris.
Or in a twilight drawing room you have just asked the most mo-
mentous of questions,
And after a silence fraught with romance she says, I think this
little table would look better where that little table is, but
then where would that little table go, have you any sugges-
tions?
And that's the way they go around hitting below our belts;
It isn't that nothing is sacred to them, it's just that at the Sacred
Moment they are always thinking of something else.
Just imagine yourself seated on a shadowy terrace,
And beside you is a girl who stirs you more strangely than an
heiress,
It is a summer evening at its most superb,
And the moonlight reminds you that To Love is an active verb.
And your hand clasps hers, which rests there without shrinking,
And after a silence fraught with romance you ask her what she is
thinking,
And she starts and returns from the moon-washed distances to the
shadowy veranda,
And says, Oh I was wondering how many bamboo shoots a day it
takes to feed a baby Giant Panda.
Or you stand with her on a hilltop and gaze on a winter sunset,
And everything is as starkly beautiful as a page from Sigrid Undset,
And your arm goes round her waist and you make an avowal
which for masterfully marshaled emotional content might have
been a page of Ouida's or Thackeray's,
And after a silence fraught with romance she says, I forgot to or-
der the limes for the Daiquiris.
Or in a twilight drawing room you have just asked the most mo-
mentous of questions,
And after a silence fraught with romance she says, I think this
little table would look better where that little table is, but
then where would that little table go, have you any sugges-
tions?
And that's the way they go around hitting below our belts;
It isn't that nothing is sacred to them, it's just that at the Sacred
Moment they are always thinking of something else.
Thursday, July 11, 2013
If I Were a Dog
by Richard Shelton
I would trot down this road sniffing
on one side and then the other
peeing a little here and there
wherever I felt the urge
having a good time what the hell
saving some because it's a long road
but since I'm not a dog
I walk straight down the road
trying to get home before dark
if I were a dog and I had a master
who beat me I would run away
and go hungry and sniff around
until I found a master who loved me
I could tell by his smell and I
would lick his face so he knew
or maybe it would be a woman
I would protect her we could go
everywhere together even down this
dark road and I wouldn't run from side
to side sniffing I would always
be protecting her and I would stop
to pee only once in awhile
sometimes in the afternoon we could
go to the park and she would throw
a stick I would bring it back to her
each time I put the stick at her feet
I would say this is my heart
and she would say I will make it fly
but you must bring it back to me
I would always bring it back to her
and to no other if I were a dog
I would trot down this road sniffing
on one side and then the other
peeing a little here and there
wherever I felt the urge
having a good time what the hell
saving some because it's a long road
but since I'm not a dog
I walk straight down the road
trying to get home before dark
if I were a dog and I had a master
who beat me I would run away
and go hungry and sniff around
until I found a master who loved me
I could tell by his smell and I
would lick his face so he knew
or maybe it would be a woman
I would protect her we could go
everywhere together even down this
dark road and I wouldn't run from side
to side sniffing I would always
be protecting her and I would stop
to pee only once in awhile
sometimes in the afternoon we could
go to the park and she would throw
a stick I would bring it back to her
each time I put the stick at her feet
I would say this is my heart
and she would say I will make it fly
but you must bring it back to me
I would always bring it back to her
and to no other if I were a dog
Saturday, July 6, 2013
Visions Become Reality
by Oswald Chambers
The parched ground shall become a pool . . . —Isaiah 35:7
We always have a vision of something before it actually becomes real to us. When we realize that the vision is real, but is not yet real in us, Satan comes to us with his temptations, and we are inclined to say that there is no point in even trying to continue. Instead of the vision becoming real to us, we have entered into a valley of humiliation.
Life is not as idle ore,
But iron dug from central gloom,
And battered by the shocks of doom
To shape and use.
God gives us a vision, and then He takes us down to the valley to batter us into the shape of that vision. It is in the valley that so many of us give up and faint. Every God-given vision will become real if we will only have patience. Just think of the enormous amount of free time God has! He is never in a hurry. Yet we are always in such a frantic hurry. While still in the light of the glory of the vision, we go right out to do things, but the vision is not yet real in us. God has to take us into the valley and put us through fires and floods to batter us into shape, until we get to the point where He can trust us with the reality of the vision. Ever since God gave us the vision, He has been at work. He is getting us into the shape of the goal He has for us, and yet over and over again we try to escape from the Sculptor’s hand in an effort to batter ourselves into the shape of our own goal.
The vision that God gives is not some unattainable castle in the sky, but a vision of what God wants you to be down here. Allow the Potter to put you on His wheel and whirl you around as He desires. Then as surely as God is God, and you are you, you will turn out as an exact likeness of the vision. But don’t lose heart in the process. If you have ever had a vision from God, you may try as you will to be satisfied on a lower level, but God will never allow it.
The parched ground shall become a pool . . . —Isaiah 35:7
We always have a vision of something before it actually becomes real to us. When we realize that the vision is real, but is not yet real in us, Satan comes to us with his temptations, and we are inclined to say that there is no point in even trying to continue. Instead of the vision becoming real to us, we have entered into a valley of humiliation.
Life is not as idle ore,
But iron dug from central gloom,
And battered by the shocks of doom
To shape and use.
God gives us a vision, and then He takes us down to the valley to batter us into the shape of that vision. It is in the valley that so many of us give up and faint. Every God-given vision will become real if we will only have patience. Just think of the enormous amount of free time God has! He is never in a hurry. Yet we are always in such a frantic hurry. While still in the light of the glory of the vision, we go right out to do things, but the vision is not yet real in us. God has to take us into the valley and put us through fires and floods to batter us into shape, until we get to the point where He can trust us with the reality of the vision. Ever since God gave us the vision, He has been at work. He is getting us into the shape of the goal He has for us, and yet over and over again we try to escape from the Sculptor’s hand in an effort to batter ourselves into the shape of our own goal.
The vision that God gives is not some unattainable castle in the sky, but a vision of what God wants you to be down here. Allow the Potter to put you on His wheel and whirl you around as He desires. Then as surely as God is God, and you are you, you will turn out as an exact likeness of the vision. But don’t lose heart in the process. If you have ever had a vision from God, you may try as you will to be satisfied on a lower level, but God will never allow it.
Quote of the Day
Resentment is like drinking poison and then hoping it will kill your enemies
- Nelson Mandela
- Nelson Mandela
Thursday, July 4, 2013
Quote of the Day
"Hail! Independence, hail! Heaven's next best gift, To that of life and an immortal soul!"
- James Thomson
- James Thomson
Happy 4th
The union of these states is a wonder; their Constitution a miracle; their example the hope of Liberty throughout the world.
- James Madison
- James Madison
Quote of the Day
"We, and all others who believe in freedom as deeply as we do, would rather die on our feet than live on our knees"
- Franklin D. Roosevelt
- Franklin D. Roosevelt
Tuesday, July 2, 2013
Quote Of the Day
The Christian life is a life characterized by true and spontaneous creativity. Consequently, a disciple is subject to the same charge that was leveled against Jesus Christ, namely, the charge of inconsistency. But Jesus Christ was always consistent in His relationship to God, and a Christian must be consistent in his relationship to the life of the Son of God in him, not consistent to strict, unyielding doctrines. People pour themselves into their own doctrines, and God has to blast them out of their preconceived ideas before they can become devoted to Jesus Christ.
- Oswald Chambers
- Oswald Chambers
Sunday, June 30, 2013
La Belle Dame sans Merci
A Ballad
Original version
Oh what can ail thee, knight-at-arms,
Alone and palely loitering?
The sedge has withered from the lake,
And no birds sing.
Oh what can ail thee, knight-at-arms,
So haggard and so woe-begone?
The squirrel's granary is full,
And the harvest's done.
I see a lily on thy brow,
With anguish moist and fever-dew,
And on thy cheeks a fading rose
Fast withereth too.
I met a lady in the meads,
Full beautiful - a faery's child,
Her hair was long, her foot was light,
And her eyes were wild.
I made a garland for her head,
And bracelets too, and fragrant zone;
She looked at me as she did love,
And made sweet moan.
I set her on my pacing steed,
And nothing else saw all day long,
For sidelong would she bend, and sing
A faery's song.
She found me roots of relish sweet,
And honey wild, and manna-dew,
And sure in language strange she said -
'I love thee true'.
She took me to her elfin grot,
And there she wept and sighed full sore,
And there I shut her wild wild eyes
With kisses four.
And there she lulled me asleep
And there I dreamed - Ah! woe betide! -
The latest dream I ever dreamt
On the cold hill side.
I saw pale kings and princes too,
Pale warriors, death-pale were they all;
They cried - 'La Belle Dame sans Merci
Hath thee in thrall!'
I saw their starved lips in the gloam,
With horrid warning gaped wide,
And I awoke and found me here,
On the cold hill's side.
And this is why I sojourn here
Alone and palely loitering,
Though the sedge is withered from the lake,
And no birds sing.
Original version
Oh what can ail thee, knight-at-arms,
Alone and palely loitering?
The sedge has withered from the lake,
And no birds sing.
Oh what can ail thee, knight-at-arms,
So haggard and so woe-begone?
The squirrel's granary is full,
And the harvest's done.
I see a lily on thy brow,
With anguish moist and fever-dew,
And on thy cheeks a fading rose
Fast withereth too.
I met a lady in the meads,
Full beautiful - a faery's child,
Her hair was long, her foot was light,
And her eyes were wild.
I made a garland for her head,
And bracelets too, and fragrant zone;
She looked at me as she did love,
And made sweet moan.
I set her on my pacing steed,
And nothing else saw all day long,
For sidelong would she bend, and sing
A faery's song.
She found me roots of relish sweet,
And honey wild, and manna-dew,
And sure in language strange she said -
'I love thee true'.
She took me to her elfin grot,
And there she wept and sighed full sore,
And there I shut her wild wild eyes
With kisses four.
And there she lulled me asleep
And there I dreamed - Ah! woe betide! -
The latest dream I ever dreamt
On the cold hill side.
I saw pale kings and princes too,
Pale warriors, death-pale were they all;
They cried - 'La Belle Dame sans Merci
Hath thee in thrall!'
I saw their starved lips in the gloam,
With horrid warning gaped wide,
And I awoke and found me here,
On the cold hill's side.
And this is why I sojourn here
Alone and palely loitering,
Though the sedge is withered from the lake,
And no birds sing.
The Fetch
by Ciaran Carson
I woke. You were lying beside me in the double bed,
prone, your long dark hair fanned out over the downy pillow.
I'd been dreaming we stood on a beach an ocean away
watching the waves purl into their troughs and tumble over.
Knit one, purl two, you said. Something in your voice made me think
of women knitting by the guillotine. Your eyes met mine.
The fetch of a wave is the distance it travels, you said,
from where it is born at sea to where it founders to shore.
I must go back to where it all began. You waded in
thigh-deep, waist-deep, breast-deep, head-deep, until you disappeared.
I lay there and thought how glad I was to find you again.
You stirred in the bed and moaned something. I heard a footfall
on the landing, the rasp of a man's cough. He put his head
around the door. He had my face. I woke. You were not there.
I woke. You were lying beside me in the double bed,
prone, your long dark hair fanned out over the downy pillow.
I'd been dreaming we stood on a beach an ocean away
watching the waves purl into their troughs and tumble over.
Knit one, purl two, you said. Something in your voice made me think
of women knitting by the guillotine. Your eyes met mine.
The fetch of a wave is the distance it travels, you said,
from where it is born at sea to where it founders to shore.
I must go back to where it all began. You waded in
thigh-deep, waist-deep, breast-deep, head-deep, until you disappeared.
I lay there and thought how glad I was to find you again.
You stirred in the bed and moaned something. I heard a footfall
on the landing, the rasp of a man's cough. He put his head
around the door. He had my face. I woke. You were not there.
Saturday, June 29, 2013
Little Summer Poem Touching the Subject of Faith
by Mary Oliver
Every summer
I listen and look
under the sun's brass and even
in the moonlight, but I can't hear
anything, I can't see anything—
not the pale roots digging down, nor the green stalks muscling up,
nor the leaves
deepening their damp pleats,
nor the tassels making,
nor the shucks, nor the cobs.
And still,
every day,
the leafy fields
grow taller and thicker—
green gowns lifting up in the night,
showered with silk.
And so, every summer,
I fail as a witness, seeing nothing—
I am deaf too
to the tick of the leaves,
the tapping of downwardness from the banyan feet—
all of it
happening
beyond all seeable proof, or hearable hum.
And, therefore, let the immeasurable come.
Let the unknowable touch the buckle of my spine.
Let the wind turn in the trees,
and the mystery hidden in dirt
swing through the air.
How could I look at anything in this world
and tremble, and grip my hands over my heart?
What should I fear?
One morning
in the leafy green ocean
the honeycomb of the corn's beautiful body
is sure to be there.
Every summer
I listen and look
under the sun's brass and even
in the moonlight, but I can't hear
anything, I can't see anything—
not the pale roots digging down, nor the green stalks muscling up,
nor the leaves
deepening their damp pleats,
nor the tassels making,
nor the shucks, nor the cobs.
And still,
every day,
the leafy fields
grow taller and thicker—
green gowns lifting up in the night,
showered with silk.
And so, every summer,
I fail as a witness, seeing nothing—
I am deaf too
to the tick of the leaves,
the tapping of downwardness from the banyan feet—
all of it
happening
beyond all seeable proof, or hearable hum.
And, therefore, let the immeasurable come.
Let the unknowable touch the buckle of my spine.
Let the wind turn in the trees,
and the mystery hidden in dirt
swing through the air.
How could I look at anything in this world
and tremble, and grip my hands over my heart?
What should I fear?
One morning
in the leafy green ocean
the honeycomb of the corn's beautiful body
is sure to be there.
Tuesday, June 25, 2013
Receiving Yourself in the Fires of Sorrow
by Oswald Chambers
". . . what shall I say? ’Father, save Me from this hour’? But for this purpose I came to this hour. ’Father, glorify Your name’ " — John 12:27-28
As a saint of God, my attitude toward sorrow and difficulty should not be to ask that they be prevented, but to ask that God protect me so that I may remain what He created me to be, in spite of all my fires of sorrow. Our Lord received Himself, accepting His position and realizing His purpose, in the midst of the fire of sorrow. He was saved not from the hour, but out of the hour.
We say that there ought to be no sorrow, but there is sorrow, and we have to accept and receive ourselves in its fires. If we try to evade sorrow, refusing to deal with it, we are foolish. Sorrow is one of the biggest facts in life, and there is no use in saying it should not be. Sin, sorrow, and suffering are, and it is not for us to say that God has made a mistake in allowing them.
Sorrow removes a great deal of a person’s shallowness, but it does not always make that person better. Suffering either gives me to myself or it destroys me. You cannot find or receive yourself through success, because you lose your head over pride. And you cannot receive yourself through the monotony of your daily life, because you give in to complaining. The only way to find yourself is in the fires of sorrow. Why it should be this way is immaterial. The fact is that it is true in the Scriptures and in human experience. You can always recognize who has been through the fires of sorrow and received himself, and you know that you can go to him in your moment of trouble and find that he has plenty of time for you. But if a person has not been through the fires of sorrow, he is apt to be contemptuous, having no respect or time for you, only turning you away. If you will receive yourself in the fires of sorrow, God will make you nourishment for other people.
". . . what shall I say? ’Father, save Me from this hour’? But for this purpose I came to this hour. ’Father, glorify Your name’ " — John 12:27-28
As a saint of God, my attitude toward sorrow and difficulty should not be to ask that they be prevented, but to ask that God protect me so that I may remain what He created me to be, in spite of all my fires of sorrow. Our Lord received Himself, accepting His position and realizing His purpose, in the midst of the fire of sorrow. He was saved not from the hour, but out of the hour.
We say that there ought to be no sorrow, but there is sorrow, and we have to accept and receive ourselves in its fires. If we try to evade sorrow, refusing to deal with it, we are foolish. Sorrow is one of the biggest facts in life, and there is no use in saying it should not be. Sin, sorrow, and suffering are, and it is not for us to say that God has made a mistake in allowing them.
Sorrow removes a great deal of a person’s shallowness, but it does not always make that person better. Suffering either gives me to myself or it destroys me. You cannot find or receive yourself through success, because you lose your head over pride. And you cannot receive yourself through the monotony of your daily life, because you give in to complaining. The only way to find yourself is in the fires of sorrow. Why it should be this way is immaterial. The fact is that it is true in the Scriptures and in human experience. You can always recognize who has been through the fires of sorrow and received himself, and you know that you can go to him in your moment of trouble and find that he has plenty of time for you. But if a person has not been through the fires of sorrow, he is apt to be contemptuous, having no respect or time for you, only turning you away. If you will receive yourself in the fires of sorrow, God will make you nourishment for other people.
Sunday, June 23, 2013
Do You Love Me?
by Robert Wrigley
She's twelve and she's asking the dog,
who does, but who speaks
in tongues, whose feints and gyrations
are themselves parts of speech.
They're on the back porch
and I don't really mean to be taking this in
but once I've heard I can't stop listening. Again
and again she asks, and the good dog
sits and wiggles, leaps and licks.
Imagine never asking. Imagine why:
so sure you wouldn't dare, or couldn't care
less. I wonder if the dog's guileless brown eyes
can lie, if the perfect canine lack of abstractions
might not be a bit like the picture books
she "read" as a child, before her parents' lips
shaped the daily miracle of speech
and kisses, and the words were not lead
and weighed only air, and did not mean
so meanly. "Do you love me?" she says
and says, until the dog, sensing perhaps
its own awful speechlessness, tries to bolt,
but she holds it by the collar and will not
let go, until, having come closer,
I hear the rest of it. I hear it all.
She's got the dog's furry jowls in her hands,
she's speaking precisely
into its laid-back, quivering ears:
"Say it," she hisses, "say it to me."
She's twelve and she's asking the dog,
who does, but who speaks
in tongues, whose feints and gyrations
are themselves parts of speech.
They're on the back porch
and I don't really mean to be taking this in
but once I've heard I can't stop listening. Again
and again she asks, and the good dog
sits and wiggles, leaps and licks.
Imagine never asking. Imagine why:
so sure you wouldn't dare, or couldn't care
less. I wonder if the dog's guileless brown eyes
can lie, if the perfect canine lack of abstractions
might not be a bit like the picture books
she "read" as a child, before her parents' lips
shaped the daily miracle of speech
and kisses, and the words were not lead
and weighed only air, and did not mean
so meanly. "Do you love me?" she says
and says, until the dog, sensing perhaps
its own awful speechlessness, tries to bolt,
but she holds it by the collar and will not
let go, until, having come closer,
I hear the rest of it. I hear it all.
She's got the dog's furry jowls in her hands,
she's speaking precisely
into its laid-back, quivering ears:
"Say it," she hisses, "say it to me."
Saturday, June 22, 2013
Wake Me Up
http://youtu.be/8XzUQNZX6Hg
Feeling my way through the darkness
Guided by a beating heart
I can't tell where the journey will end
But I know where it starts
They tell me I'm too young to understand
They say I'm caught up in a dream
Well life will pass me by if I don't open up my eyes
Well that's fine by me
So wake me up when it's all over
When I'm wiser and I'm older
All this time I was finding myself
And I didn't know I was lost
So wake me up when it's all over
When I'm wiser and I'm older
All this time I was finding myself
And I didn't know I was lost
I tried carrying the weight of the world
But I only have two hands
I hope I get the chance to travel the world
And I don't have any plans
I wish that I could stay forever this young
Not afraid to close my eyes
Life's a game made for everyone
And love is a prize
So wake me up when it's all over
When I'm wiser and I'm older
All this time I was finding myself
And I didn't know I was lost
So wake me up when it's all over
When I'm wiser and I'm older
All this time I was finding myself
And I didn't know I was lost
I didn't know I was lost
I didn't know I was lost
I didn't know I was lost
I didn't know I was lost
The Unchanging Law of Judgment
by Oswald Chambers
With what judgment you judge, you will be judged; and with the measure you use, it will be measured back to you —Matthew 7:2
This statement is not some haphazard theory, but it is an eternal law of God. Whatever judgment you give will be the very way you are judged. There is a difference between retaliation and retribution. Jesus said that the basis of life is retribution— “with the measure you use, it will be measured back to you.” If you have been shrewd in finding out the shortcomings of others, remember that will be exactly how you will be measured. The way you pay is the way life will pay you back. This eternal law works from God’s throne down to us (see Psalm 18:25-26).
Romans 2:1 applies it in even a more definite way by saying that the one who criticizes another is guilty of the very same thing. God looks not only at the act itself, but also at the possibility of committing it, which He sees by looking at our hearts. To begin with, we do not believe the statements of the Bible. For instance, do we really believe the statement that says we criticize in others the very things we are guilty of ourselves? The reason we see hypocrisy, deceit, and a lack of genuineness in others is that they are all in our own hearts. The greatest characteristic of a saint is humility, as evidenced by being able to say honestly and humbly, “Yes, all those, as well as other evils, would have been exhibited in me if it were not for the grace of God. Therefore, I have no right to judge.”
Jesus said, “Judge not, that you be not judged” (Matthew 7:1). He went on to say, in effect, “If you do judge, you will be judged in exactly the same way.” Who of us would dare to stand before God and say, “My God, judge me as I have judged others”? We have judged others as sinners— if God should judge us in the same way, we would be condemned to hell. Yet God judges us on the basis of the miraculous atonement by the Cross of Christ.
With what judgment you judge, you will be judged; and with the measure you use, it will be measured back to you —Matthew 7:2
This statement is not some haphazard theory, but it is an eternal law of God. Whatever judgment you give will be the very way you are judged. There is a difference between retaliation and retribution. Jesus said that the basis of life is retribution— “with the measure you use, it will be measured back to you.” If you have been shrewd in finding out the shortcomings of others, remember that will be exactly how you will be measured. The way you pay is the way life will pay you back. This eternal law works from God’s throne down to us (see Psalm 18:25-26).
Romans 2:1 applies it in even a more definite way by saying that the one who criticizes another is guilty of the very same thing. God looks not only at the act itself, but also at the possibility of committing it, which He sees by looking at our hearts. To begin with, we do not believe the statements of the Bible. For instance, do we really believe the statement that says we criticize in others the very things we are guilty of ourselves? The reason we see hypocrisy, deceit, and a lack of genuineness in others is that they are all in our own hearts. The greatest characteristic of a saint is humility, as evidenced by being able to say honestly and humbly, “Yes, all those, as well as other evils, would have been exhibited in me if it were not for the grace of God. Therefore, I have no right to judge.”
Jesus said, “Judge not, that you be not judged” (Matthew 7:1). He went on to say, in effect, “If you do judge, you will be judged in exactly the same way.” Who of us would dare to stand before God and say, “My God, judge me as I have judged others”? We have judged others as sinners— if God should judge us in the same way, we would be condemned to hell. Yet God judges us on the basis of the miraculous atonement by the Cross of Christ.
Labels:
Books,
Quote of the Day,
Things That Matter
Quote of the Day
Having a kid is an excellent exercise in perspective. Because it teaches you to embrace the horror and indignity of life. You simply have no other choice.
- Let's Pretend This Never Happened: by Jenny Lawson
- Let's Pretend This Never Happened: by Jenny Lawson
Welcome Morning
by Anne Sexton
There is joy
in all:
in the hair I brush each morning,
in the Cannon towel, newly washed,
that I rub my body with each morning,
in the chapel of eggs I cook
each morning,
in the outcry from the kettle
that heats my coffee
each morning,
in the spoon and the chair
that cry "hello there, Anne"
each morning,
in the godhead of the table
that I set my silver, plate, cup upon
each morning.
All this is God,
right here in my pea-green house
each morning
and I mean,
though often forget,
to give thanks,
to faint down by the kitchen table
in a prayer of rejoicing
as the holy birds at the kitchen window
peck into their marriage of seeds.
So while I think of it,
let me paint a thank-you on my palm
for this God, this laughter of the morning,
lest it go unspoken.
The Joy that isn't shared, I've heard,
dies young.
There is joy
in all:
in the hair I brush each morning,
in the Cannon towel, newly washed,
that I rub my body with each morning,
in the chapel of eggs I cook
each morning,
in the outcry from the kettle
that heats my coffee
each morning,
in the spoon and the chair
that cry "hello there, Anne"
each morning,
in the godhead of the table
that I set my silver, plate, cup upon
each morning.
All this is God,
right here in my pea-green house
each morning
and I mean,
though often forget,
to give thanks,
to faint down by the kitchen table
in a prayer of rejoicing
as the holy birds at the kitchen window
peck into their marriage of seeds.
So while I think of it,
let me paint a thank-you on my palm
for this God, this laughter of the morning,
lest it go unspoken.
The Joy that isn't shared, I've heard,
dies young.
Friday, June 21, 2013
Philosophy in Warm Weather
by Jane Kenyon
Now all the doors and windows
are open, and we move so easily
through the rooms. Cats roll
on the sunny rugs, and a clumsy wasp
climbs the pane, pausing
to rub a leg over her head.
All around physical life reconvenes.
The molecules of our bodies must love
to exist: they whirl in circles
and seem to begrudge us nothing.
Heat, Horatio, heat makes them
put this antic disposition on!
This year's brown spider
sways over the door as I come
and go. A single poppy shouts
from the far field, and the crow,
beyond alarm, goes right on
pulling up the corn.
Now all the doors and windows
are open, and we move so easily
through the rooms. Cats roll
on the sunny rugs, and a clumsy wasp
climbs the pane, pausing
to rub a leg over her head.
All around physical life reconvenes.
The molecules of our bodies must love
to exist: they whirl in circles
and seem to begrudge us nothing.
Heat, Horatio, heat makes them
put this antic disposition on!
This year's brown spider
sways over the door as I come
and go. A single poppy shouts
from the far field, and the crow,
beyond alarm, goes right on
pulling up the corn.
Thursday, June 20, 2013
Baked Peanut Butter Oatmeal
Prep Time: 5 min
Cook Time: 20 min
3 cups quick oats
1/2 cup brown sugar
1/2 cup sugar
1 1/2 cups milk
1/2 cup butter melted
2 eggs
1 cup peanut butter chunky
2 teaspoons baking powder
1 teaspoon vanilla extract
Yield: 1
- Preheat Oven to 350
- Grease 9x13 Pan
- Mix all ingredients and spread evenly into pan
- Cook 20-25 minutes until edges are golden brown
- Serve with warm milk
Wednesday, June 19, 2013
Quote of the Day
Let people feel the weight of who you are and let them deal with it
- John Eldredge in Wild at Heart
- John Eldredge in Wild at Heart
Tuesday, June 18, 2013
Quote of the Day
"I like to smile at people who don't like me . . . because I'm an asshole."
- Bill Murray
- Bill Murray
Monday, June 17, 2013
Beware of Criticizing Others
by Oswald Chambers
Judge not, that you be not judged —Matthew 7:1
Jesus’ instructions with regard to judging others is very simply put; He says, “Don’t.” The average Christian is the most piercingly critical individual known. Criticism is one of the ordinary activities of people, but in the spiritual realm nothing is accomplished by it. The effect of criticism is the dividing up of the strengths of the one being criticized. The Holy Spirit is the only one in the proper position to criticize, and He alone is able to show what is wrong without hurting and wounding. It is impossible to enter into fellowship with God when you are in a critical mood. Criticism serves to make you harsh, vindictive, and cruel, and leaves you with the soothing and flattering idea that you are somehow superior to others. Jesus says that as His disciple you should cultivate a temperament that is never critical. This will not happen quickly but must be developed over a span of time. You must constantly beware of anything that causes you to think of yourself as a superior person.
There is no escaping the penetrating search of my life by Jesus. If I see the little speck in your eye, it means that I have a plank of timber in my own (see Matthew 7:3-5). Every wrong thing that I see in you, God finds in me. Every time I judge, I condemn myself (see Romans 2:17-24). Stop having a measuring stick for other people. There is always at least one more fact, which we know nothing about, in every person’s situation. The first thing God does is to give us a thorough spiritual cleaning. After that, there is no possibility of pride remaining in us. I have never met a person I could despair of, or lose all hope for, after discerning what lies in me apart from the grace of God.
http://utmost.org/beware-of-criticizing-others/
Judge not, that you be not judged —Matthew 7:1
Jesus’ instructions with regard to judging others is very simply put; He says, “Don’t.” The average Christian is the most piercingly critical individual known. Criticism is one of the ordinary activities of people, but in the spiritual realm nothing is accomplished by it. The effect of criticism is the dividing up of the strengths of the one being criticized. The Holy Spirit is the only one in the proper position to criticize, and He alone is able to show what is wrong without hurting and wounding. It is impossible to enter into fellowship with God when you are in a critical mood. Criticism serves to make you harsh, vindictive, and cruel, and leaves you with the soothing and flattering idea that you are somehow superior to others. Jesus says that as His disciple you should cultivate a temperament that is never critical. This will not happen quickly but must be developed over a span of time. You must constantly beware of anything that causes you to think of yourself as a superior person.
There is no escaping the penetrating search of my life by Jesus. If I see the little speck in your eye, it means that I have a plank of timber in my own (see Matthew 7:3-5). Every wrong thing that I see in you, God finds in me. Every time I judge, I condemn myself (see Romans 2:17-24). Stop having a measuring stick for other people. There is always at least one more fact, which we know nothing about, in every person’s situation. The first thing God does is to give us a thorough spiritual cleaning. After that, there is no possibility of pride remaining in us. I have never met a person I could despair of, or lose all hope for, after discerning what lies in me apart from the grace of God.
http://utmost.org/beware-of-criticizing-others/
Labels:
Culture,
Family,
Friends,
Things That Matter
Quote of the Day
Friendship is even, if you like, angelic. But man needs to be triply protected by humility if he is to eat the bread of angels without risk.
- CS Lewis
- CS Lewis
The Swiss Family Robinson
by Ron Padgett
I never quite understood who
the Swiss Family Robinson were.
The inversion of their name
confused me at an early age,
just as the name of Mary Baker Eddy
sounded as though she started out
as a woman and turned into
a guy named Eddy. At Walt
Disney World there is an attraction
called Swiss Family Robinson that
involves a tree house, so I assume
they lived in a tree. Why they did
I don't know. It sounds rather
stressful to me, the fear
of falling out. I could look up
the Swiss Family Robinson
in a reference book, but
it's interesting not to know
something that everyone else knows.
However, I would like to know if there
are many people named Robinson
in Switzerland. If there are,
I would know something that
most people don't know.
I never quite understood who
the Swiss Family Robinson were.
The inversion of their name
confused me at an early age,
just as the name of Mary Baker Eddy
sounded as though she started out
as a woman and turned into
a guy named Eddy. At Walt
Disney World there is an attraction
called Swiss Family Robinson that
involves a tree house, so I assume
they lived in a tree. Why they did
I don't know. It sounds rather
stressful to me, the fear
of falling out. I could look up
the Swiss Family Robinson
in a reference book, but
it's interesting not to know
something that everyone else knows.
However, I would like to know if there
are many people named Robinson
in Switzerland. If there are,
I would know something that
most people don't know.
Sunday, June 16, 2013
Monday, June 10, 2013
Sunday, June 9, 2013
Quote of the Day
"Life isn't about finding yourself. Life is about creating yourself."
- George Bernard Shaw
- George Bernard Shaw
Friday, June 7, 2013
Wishes
by Ted Berrigan
Now I wish I were asleep, to see my dreams taking place
I wish I were more awake
I wish a sweet rush of tears to my eyes
Wish a nose like an eagle
I wish blue sky in the afternoon
Bigger windows, & a panorama—light, buildings & people in street air
Wish my teeth were white and sparkled
Wish my legs were not where they are—where they are
I wish the days warmly cool & clothes I like to be inside of
Wish I were walking around in Chelsea (NY) & it was 5:15 a.m., the
sun coming up, alone, you asleep at home
I wish red rage came easier
I wish death, but not just now
I wish I were driving alone across America in a gold Cadillac
toward California, & my best friend
I wish I were in love, & you here
Now I wish I were asleep, to see my dreams taking place
I wish I were more awake
I wish a sweet rush of tears to my eyes
Wish a nose like an eagle
I wish blue sky in the afternoon
Bigger windows, & a panorama—light, buildings & people in street air
Wish my teeth were white and sparkled
Wish my legs were not where they are—where they are
I wish the days warmly cool & clothes I like to be inside of
Wish I were walking around in Chelsea (NY) & it was 5:15 a.m., the
sun coming up, alone, you asleep at home
I wish red rage came easier
I wish death, but not just now
I wish I were driving alone across America in a gold Cadillac
toward California, & my best friend
I wish I were in love, & you here
Saturday, June 1, 2013
Quote of the Day
When you choose to love someone who is damaged . . . you take on the weight of
their past,
their pain,
their guilt.
You must be strong.
You must be patient.
You can stop the bleeding . . .
And help them scar over.
But they will always, always
be a little broken.
If you can handle that . . .
if you can accept the dents and cracks . . .
if you can get them to trust you . . .
You will never find a better ally than one who is damaged.
Above all else: they know about survival.
After all, they are still here . . . wondering if someone like you will ever love them.
- Shayne McClendon - The Good Girl
their past,
their pain,
their guilt.
You must be strong.
You must be patient.
You can stop the bleeding . . .
And help them scar over.
But they will always, always
be a little broken.
If you can handle that . . .
if you can accept the dents and cracks . . .
if you can get them to trust you . . .
You will never find a better ally than one who is damaged.
Above all else: they know about survival.
After all, they are still here . . . wondering if someone like you will ever love them.
- Shayne McClendon - The Good Girl
Thursday, May 30, 2013
Who the Meek Are Not
by Mary Karr
Not the bristle-bearded Igors bent
under burlap sacks, not peasants knee-deep
in the rice paddy muck,
nor the serfs whose quarter-moon sickles
make the wheat fall in waves
they don't get to eat. My friend the Franciscan
nun says we misread
that word meek in the Bible verse that blesses them.
To understand the meek
(she says) picture a great stallion at full gallop
in a meadow, who—
at his master's voice—seizes up to a stunned
but instant halt.
So with the strain of holding that great power
in check, the muscles
along the arched neck keep eddying,
and only the velvet ears
prick forward, awaiting the next order.
Not the bristle-bearded Igors bent
under burlap sacks, not peasants knee-deep
in the rice paddy muck,
nor the serfs whose quarter-moon sickles
make the wheat fall in waves
they don't get to eat. My friend the Franciscan
nun says we misread
that word meek in the Bible verse that blesses them.
To understand the meek
(she says) picture a great stallion at full gallop
in a meadow, who—
at his master's voice—seizes up to a stunned
but instant halt.
So with the strain of holding that great power
in check, the muscles
along the arched neck keep eddying,
and only the velvet ears
prick forward, awaiting the next order.
Monday, May 27, 2013
At the Vietnam Memorial
by George Bilgere
The last time I saw the name Paul Castle
it was printed in gold on the wall
above the showers in the boys'
locker room, next to the school
record for the mile. I don't recall
his time, but the year was 1968
and I can look across the infield
of memory to see him on the track,
legs flashing, body bending slightly
beyond the pack of runners at his back.
He couldn't spare a word for me,
two years younger, junior varsity,
and hardly worth the waste of breath.
He owned the hallways, a cool blonde
at his side, and aimed his interests
further down the line than we could guess.
Now, reading the name again,
I see us standing in the showers,
naked kids beneath his larger,
comprehensive force—the ones who trail
obscurely, in the wake of the swift,
like my shadow on this gleaming wall.
Sunday, May 26, 2013
Quote of the Day
“Child,' said the Lion, 'I am telling you your story, not hers. No one is told any story but their own.”
- Aslan - The Lion, The Witch and the Wardrobe
- Aslan - The Lion, The Witch and the Wardrobe
Saturday, May 25, 2013
The Runner
The first lessons are almost always the best lessons, and it was no different here: Running is a kind of truth serum. It brutally strips away everything you put on and leaves you with only yourself. The runner on the road, hunched over or otherwise, knows something that the passenger in the car doesn't. Down to the core, the runner knows who he is. The runner has to. He's so tired, who he is is all that's left.
. . . the run makes trash of every bauble and artifact, layer upon layer, whether it's something in your form, or something on your body, or something in your mind, until you're empty and bare and raw.
The runner knows who he is. The farther he runs, the more he knows, the more that shows.
- Marc Parent in Runner's World
http://www.runnersworld.com/runners-stories/running-helps-you-find-your-inner-self
. . . the run makes trash of every bauble and artifact, layer upon layer, whether it's something in your form, or something on your body, or something in your mind, until you're empty and bare and raw.
The runner knows who he is. The farther he runs, the more he knows, the more that shows.
- Marc Parent in Runner's World
http://www.runnersworld.com/runners-stories/running-helps-you-find-your-inner-self
Friday, May 24, 2013
To a Daughter Leaving Home
by Linda Pastan
When I taught you
at eight to ride
a bicycle, loping along
beside you
as you wobbled away
on two round wheels,
my own mouth rounding
in surprise when you pulled
ahead down the curved
path of the park,
I kept waiting
for the thud
of your crash as I
sprinted to catch up,
while you grew
smaller, more breakable
with distance,
pumping, pumping
for your life, screaming
with laughter,
the hair flapping
behind you like a
handkerchief waving
goodbye.
When I taught you
at eight to ride
a bicycle, loping along
beside you
as you wobbled away
on two round wheels,
my own mouth rounding
in surprise when you pulled
ahead down the curved
path of the park,
I kept waiting
for the thud
of your crash as I
sprinted to catch up,
while you grew
smaller, more breakable
with distance,
pumping, pumping
for your life, screaming
with laughter,
the hair flapping
behind you like a
handkerchief waving
goodbye.
Tuesday, May 21, 2013
Romantics
by Lisel Mueller
Johannes Brahms and Clara Schumann
The modern biographers worry
"how far it went," their tender friendship.
They wonder just what it means
when he writes he thinks of her constantly,
his guardian angel, beloved friend.
The modern biographers ask
the rude, irrelevant question
of our age, as if the event
of two bodies meshing together
establishes the degree of love,
forgetting how softly Eros walked
in the nineteenth century, how a hand
held overlong or a gaze anchored
in someone's eyes could unseat a heart,
and nuances of address, not known
in our egalitarian language
could make the redolent air
tremble and shimmer with the heat
of possibility. Each time I hear
the Intermezzi, sad
and lavish in their tenderness,
I imagine the two of them
sitting in a garden
among late-blooming roses
and dark cascades of leaves,
letting the landscape speak for them,
leaving nothing to overhear.
Johannes Brahms and Clara Schumann
The modern biographers worry
"how far it went," their tender friendship.
They wonder just what it means
when he writes he thinks of her constantly,
his guardian angel, beloved friend.
The modern biographers ask
the rude, irrelevant question
of our age, as if the event
of two bodies meshing together
establishes the degree of love,
forgetting how softly Eros walked
in the nineteenth century, how a hand
held overlong or a gaze anchored
in someone's eyes could unseat a heart,
and nuances of address, not known
in our egalitarian language
could make the redolent air
tremble and shimmer with the heat
of possibility. Each time I hear
the Intermezzi, sad
and lavish in their tenderness,
I imagine the two of them
sitting in a garden
among late-blooming roses
and dark cascades of leaves,
letting the landscape speak for them,
leaving nothing to overhear.
Monday, May 20, 2013
Quote of the Day
Until a man knows he's a man he will forever be trying to prove he is one, while at the same time shrinking from anything that might reveal he is not.
- John Eldredge - Wild at Heart
- John Eldredge - Wild at Heart
Thursday, May 16, 2013
Another Day of Livin'
http://youtu.be/eLwkT5vAzCE
I just want to celebrate another day of livin'
I just want to celebrate another day of life
I put my faith in the people
But the people let me down
So I turned the other way
And I carry on, anyhow
That's why I'm telling you
I just want to celebrate, yeah, yeah
I just want to celebrate, yeah, yeah
Another day of living,
I just want to celebrate another day of life
Had my hand on the dollar bill
And the dollar bill blew away
But the sun is shining down on me
And it's here to stay
That's why I'm telling you
I just want to celebrate, yeah, yeah
Another day of living, yeah
I just want to celebrate another day of living
I just want to celebrate another day of life
Don't let it all get you down,
Don't let it turn you around and around
And around and around
Well, I can't be bothered with sorrow
And I can't be bothered with hate, no, no
I'm using up my time by feeling fine, every day
That's why I'm telling you I just want to celebrate
Aw, yeah
I just want to celebrate yeah yeah
Another day of living, yeah yeah
I just want to celebrate another day of livin', yeah
I just want to celebrate another day of life
Don't let it all get you down, no, no
Don't let it turn you around and around,
And around and around, and around
Around round round
'round and around round round round
don't go 'round
Wednesday, May 15, 2013
A Hint of Spring
by James Whitcomb Riley
'Twas but a hint of Spring—for
still
The atmosphere was sharp and chill
Save where the genial sunshine smote
The shoulders of my overcoat,
And o'er the snow beneath my feet
Laid spectral fences down the street.
My shadow, even, seemed to be
Elate with some new buoyancy,
And bowed and bobbed in my advance
With trippingest extravagance,
And, when the birds chirpt out some-
where,
It seemed to wheel with me and stare.
Above I heard a rasping stir—
And on a roof the carpenter
Was perched, and prodding rusty
leaves
From out the choked and dripping
eaves—
And some one, hammering about,
Was taking all the windows out.
Old scraps of shingles fell before
The noisy mansion's open door;
And wrangling children raked the yard,
And labored much, and laughed as
hard,
And fired the burning trash I smelt
And sniffed again—so good I felt!
'Twas but a hint of Spring—for
still
The atmosphere was sharp and chill
Save where the genial sunshine smote
The shoulders of my overcoat,
And o'er the snow beneath my feet
Laid spectral fences down the street.
My shadow, even, seemed to be
Elate with some new buoyancy,
And bowed and bobbed in my advance
With trippingest extravagance,
And, when the birds chirpt out some-
where,
It seemed to wheel with me and stare.
Above I heard a rasping stir—
And on a roof the carpenter
Was perched, and prodding rusty
leaves
From out the choked and dripping
eaves—
And some one, hammering about,
Was taking all the windows out.
Old scraps of shingles fell before
The noisy mansion's open door;
And wrangling children raked the yard,
And labored much, and laughed as
hard,
And fired the burning trash I smelt
And sniffed again—so good I felt!
Tuesday, May 14, 2013
Animal Spirits
by Denise Levertov
When I was five and
undifferentiated energy, animal spirits,
pent-up desire for the unknown built in me
a head of steam I had
no other way to let off, I ran
at top speed back and forth
end to end of the drawingroom,
bay to French window, shouting—
roaring, really—slamming
deliberately into the rosewood
desk at one end, the shaken
window-frames at the other, till the fit
wore out or some grownup stopped me.
But when I was six I found better means:
on its merry gallows
of dark-green wood my swing, new-built,
awaited my pleasure, I rushed
out to it, pulled the seat
all the way back to get a good start, and
vigorously pumped it up to the highest arc:
my legs were oars, I was rowing a boat in air—
and then, then from the furthest
forward swing of the ropes
I let go and flew!
At large in the unsustaining air,
flew clear over the lawn across
the breadth of the garden
and fell, Icarian, dazed,
among hollyhocks, snapdragons, love-in-a-mist,
and stood up uninjured, ready
to swing and fly over and over.
The need passed as I grew;
the mind took over, devising
paths for that force in me, and the body curled up,
sedentary, glad to be quiet and read and read,
save once in a while, when it demanded
to leap about or to whirl—or later still
to walk swiftly in wind and rain
long and far and into the dusk,
wanting some absolute, some exhaustion.
Monday, May 13, 2013
Quote of the Day
We live, in fact, in a world starved for solitude, silence, and private: and therefore starved for meditation and true friendship.
- CS Lewis
- CS Lewis
The Land of Beginning Again
by Louisa Fletcher
I wish that there were some wonderful place
In the Land of Beginning Again.
Where all our mistakes and all our heartaches
And all of our poor selfish grief
Could be dropped like a shabby old coat at the door
and never put on again.
I wish we could come on it all unaware,
Like the hunter who finds a lost trail;
And I wish that the one whom our blindness had done
The greatest injustice of all
Could be there at the gates
like an old friend that waits
For the comrade he's gladdest to hail.
We would find all the things we intended to do
But forgot, and remembered too late,
Little praises unspoken, little promises broken,
And all the thousand and one
Little duties neglected that might have perfected
The day for one less fortunate.
It wouldn't be possible not to be kind
In the Land of Beginning Again,
And the ones we misjudged
and the ones whom we grudged
their moments of victory here,
Would find in the grasp of our loving hand-clasp
More than penitent lips could explain...
So I wish that there were some wonderful place
Called the Land of Beginning Again,
Where all our mistakes and all our heartaches,
And all of our poor selfish grief
Could be dropped like a shabby old coat at the door
And never put on again.
I wish that there were some wonderful place
In the Land of Beginning Again.
Where all our mistakes and all our heartaches
And all of our poor selfish grief
Could be dropped like a shabby old coat at the door
and never put on again.
I wish we could come on it all unaware,
Like the hunter who finds a lost trail;
And I wish that the one whom our blindness had done
The greatest injustice of all
Could be there at the gates
like an old friend that waits
For the comrade he's gladdest to hail.
We would find all the things we intended to do
But forgot, and remembered too late,
Little praises unspoken, little promises broken,
And all the thousand and one
Little duties neglected that might have perfected
The day for one less fortunate.
It wouldn't be possible not to be kind
In the Land of Beginning Again,
And the ones we misjudged
and the ones whom we grudged
their moments of victory here,
Would find in the grasp of our loving hand-clasp
More than penitent lips could explain...
So I wish that there were some wonderful place
Called the Land of Beginning Again,
Where all our mistakes and all our heartaches,
And all of our poor selfish grief
Could be dropped like a shabby old coat at the door
And never put on again.
Friday, May 10, 2013
Thanks for Remembering Us
by Dana Gioia
The flowers sent here by mistake,
signed with a name that no one knew,
are turning bad. What shall we do?
Our neighbor says they're not for her,
and no one has a birthday near.
We should thank someone for the blunder.
Is one of us having an affair?
At first we laugh, and then we wonder.
The iris was the first to die,
enshrouded in its sickly-sweet
and lingering perfume. The roses
fell one petal at a time,
and now the ferns are turning dry.
The room smells like a funeral,
but there they sit, too much at home,
accusing us of some small crime,
like love forgotten, and we can't
throw out a gift we've never owned.
Thursday, May 9, 2013
The Blue Dress
by Freya Manfred
I don't recall pain, or joy, only the blue dress
I wore, and the door open to the sea,
and the liquid sun across the floor beside the bed,
and our crooning sense of having climbed Everest,
undaunted, undeceived.
I didn't know who I was or who you were,
or even what we hoped for, in that slow, rushed,
soft, harsh, pretend, real, world. Even now,
I don't know how to devour love like a golden apple
stolen from a teacher who gives too many tests.
So tell me what you remember,
and who you think we were,
and I will nod and agree, though I doubt it happened—
beyond the sea, the sun, the open door,
the blue dress, and the dream.
I don't recall pain, or joy, only the blue dress
I wore, and the door open to the sea,
and the liquid sun across the floor beside the bed,
and our crooning sense of having climbed Everest,
undaunted, undeceived.
I didn't know who I was or who you were,
or even what we hoped for, in that slow, rushed,
soft, harsh, pretend, real, world. Even now,
I don't know how to devour love like a golden apple
stolen from a teacher who gives too many tests.
So tell me what you remember,
and who you think we were,
and I will nod and agree, though I doubt it happened—
beyond the sea, the sun, the open door,
the blue dress, and the dream.
Wednesday, May 8, 2013
Monday, May 6, 2013
Note to My Father After All These Years
by Marjorie Saiser
Today I spend money. Doodad this, doodad that
in a town in the sun on the border. I sit
outdoors with my doodad dog
at the coffee shop. Time passes.
A man casts a shadow across my latte,
asks if he can borrow my lighter for a minute.
I have none but he talks to me anyway,
generous with conversation,
his tattooed hands giving my dog some
good attention. I can't see his eyes,
only the dark of his sunglasses. His unlit cigarette
bobs in his lips as he talks. This,
or something, reminds me of you. He says
the people here are nice. He loves it here,
says it's way better than the big city; it's all
money anyways; every time he left the house
it was forty bucks. He sees someone
across the street, waves his arm,
shouts: Jack, I'm free!
He rises. He's gone.
Today I spend money. Doodad this, doodad that
in a town in the sun on the border. I sit
outdoors with my doodad dog
at the coffee shop. Time passes.
A man casts a shadow across my latte,
asks if he can borrow my lighter for a minute.
I have none but he talks to me anyway,
generous with conversation,
his tattooed hands giving my dog some
good attention. I can't see his eyes,
only the dark of his sunglasses. His unlit cigarette
bobs in his lips as he talks. This,
or something, reminds me of you. He says
the people here are nice. He loves it here,
says it's way better than the big city; it's all
money anyways; every time he left the house
it was forty bucks. He sees someone
across the street, waves his arm,
shouts: Jack, I'm free!
He rises. He's gone.
Friday, May 3, 2013
Smoke
by Faith Shearin
It was everywhere in my childhood: in restaurants,
on buses or planes. The teacher's lounge looked like
London under fog. My grandmother never stopped
smoking, and walking in her house was like diving
in a dark pond. Adults were dimly lit: they carried
matches in their pockets as if they might need fire
to see. Cigarette machines inhaled quarters and
exhaled rectangles. Women had their own brands,
long and thin; one was named Eve and it was meant
to be smoked in a garden thick with summer flowers.
I'm speaking of moods: an old country store where
my grandfather met friends and everyone spoke
behind a veil of smoke. (My Uncle Bill preferred
fragrant cigars; I can still smell his postal jacket ...)
He had time to tell stories because he took breaks
and there was something to do with his hands.
My mother's bridge club gathered around tables
with ashtrays and secrets which are best revealed
beside fire. Even the fireplaces are gone: inefficient
and messy. We are healthier now and safer! We have
exercise and tests for breast or colon cancer. We have
helmets and car seats and smokeless coffee shops
where coffee has grown frothy and complex. The old
movies are so full of smoke that actors are hard to see
and they are often wrapped in smoking jackets, bent
over a piano or kiss. I miss the places smoke created.
I like the way people sat down for rest or pleasure
and spoke to other people, not phones, and the tiny fire
which is crimson and primitive and warm. How long
ago when humans found this spark of warmth and made
their first circle? What about smoke as words? Or the
pipes of peace? In grade school we learned how it rises
and how it can kill. We were taught to shove towels
under our closed doors: to stop, drop, and roll. We had
a plan to meet our family in the yard, the house behind
us alive with all we cannot put out...
It was everywhere in my childhood: in restaurants,
on buses or planes. The teacher's lounge looked like
London under fog. My grandmother never stopped
smoking, and walking in her house was like diving
in a dark pond. Adults were dimly lit: they carried
matches in their pockets as if they might need fire
to see. Cigarette machines inhaled quarters and
exhaled rectangles. Women had their own brands,
long and thin; one was named Eve and it was meant
to be smoked in a garden thick with summer flowers.
I'm speaking of moods: an old country store where
my grandfather met friends and everyone spoke
behind a veil of smoke. (My Uncle Bill preferred
fragrant cigars; I can still smell his postal jacket ...)
He had time to tell stories because he took breaks
and there was something to do with his hands.
My mother's bridge club gathered around tables
with ashtrays and secrets which are best revealed
beside fire. Even the fireplaces are gone: inefficient
and messy. We are healthier now and safer! We have
exercise and tests for breast or colon cancer. We have
helmets and car seats and smokeless coffee shops
where coffee has grown frothy and complex. The old
movies are so full of smoke that actors are hard to see
and they are often wrapped in smoking jackets, bent
over a piano or kiss. I miss the places smoke created.
I like the way people sat down for rest or pleasure
and spoke to other people, not phones, and the tiny fire
which is crimson and primitive and warm. How long
ago when humans found this spark of warmth and made
their first circle? What about smoke as words? Or the
pipes of peace? In grade school we learned how it rises
and how it can kill. We were taught to shove towels
under our closed doors: to stop, drop, and roll. We had
a plan to meet our family in the yard, the house behind
us alive with all we cannot put out...
Tuesday, April 30, 2013
Quote of the Day
Why I often find myself at such cross-purposes with the modern world:
I have been a converted Pagan living among apostate Puritans.
- CS Lewis
I have been a converted Pagan living among apostate Puritans.
- CS Lewis
Sunday, April 28, 2013
295. Ballad of the Goodly Fere
By Ezra Pound
Simon Zelotes speaketh it somewhile after the Crucifixion.
HA’ we lost the goodliest fere o’ all
For the priests and the gallows tree?
Aye lover he was of brawny men,
O’ ships and the open sea.
When they came wi’ a host to take Our Man 5
His smile was good to see,
“First let these go!” quo’ our Goodly Fere,
“Or I’ll see ye damned,” says he.
Aye he sent us out through the crossed high spears
And the scorn of his laugh rang free, 10
“Why took ye not me when I walked about
Alone in the town?” says he.
Oh we drank his “Hale” in the good red wine
When we last made company.
No capon priest was the Goodly Fere, 15
But a man o’ men was he.
I ha’ seen him drive a hundred men
Wi’ a bundle o’ cords swung free,
That they took the high and holy house
For their pawn and treasury. 20
They’ll no’ get him a’ in a book, I think,
Though they write it cunningly;
No mouse of the scrolls was the Goodly Fere
But aye loved the open sea.
If they think they ha’ snared our Goodly Fere 25
They are fools to the last degree.
“I’ll go to the feast,” quo’ our Goodly Fere,
“Though I go to the gallows tree.”
“Ye ha’ seen me heal the lame and blind,
And wake the dead,” says he. 30
“Ye shall see one thing to master all:
’Tis how a brave man dies on the tree.”
A son of God was the Goodly Fere
That bade us his brothers be.
I ha’ seen him cow a thousand men. 35
I have seen him upon the tree.
He cried no cry when they drave the nails
And the blood gushed hot and free.
The hounds of the crimson sky gave tongue,
But never a cry cried he. 40
I ha’ seen him cow a thousand men
On the hills o’ Galilee.
They whined as he walked out calm between,
Wi’ his eyes like the gray o’ the sea.
Like the sea that brooks no voyaging, 45
With the winds unleashed and free,
Like the sea that he cowed at Genseret
Wi’ twey words spoke suddently.
A master of men was the Goodly Fere,
A mate of the wind and sea. 50
If they think they ha’ slain our Goodly Fere
They are fools eternally.
I ha’ seen him eat o’ the honey-comb
Sin’ they nailed him to the tree.
Simon Zelotes speaketh it somewhile after the Crucifixion.
HA’ we lost the goodliest fere o’ all
For the priests and the gallows tree?
Aye lover he was of brawny men,
O’ ships and the open sea.
When they came wi’ a host to take Our Man 5
His smile was good to see,
“First let these go!” quo’ our Goodly Fere,
“Or I’ll see ye damned,” says he.
Aye he sent us out through the crossed high spears
And the scorn of his laugh rang free, 10
“Why took ye not me when I walked about
Alone in the town?” says he.
Oh we drank his “Hale” in the good red wine
When we last made company.
No capon priest was the Goodly Fere, 15
But a man o’ men was he.
I ha’ seen him drive a hundred men
Wi’ a bundle o’ cords swung free,
That they took the high and holy house
For their pawn and treasury. 20
They’ll no’ get him a’ in a book, I think,
Though they write it cunningly;
No mouse of the scrolls was the Goodly Fere
But aye loved the open sea.
If they think they ha’ snared our Goodly Fere 25
They are fools to the last degree.
“I’ll go to the feast,” quo’ our Goodly Fere,
“Though I go to the gallows tree.”
“Ye ha’ seen me heal the lame and blind,
And wake the dead,” says he. 30
“Ye shall see one thing to master all:
’Tis how a brave man dies on the tree.”
A son of God was the Goodly Fere
That bade us his brothers be.
I ha’ seen him cow a thousand men. 35
I have seen him upon the tree.
He cried no cry when they drave the nails
And the blood gushed hot and free.
The hounds of the crimson sky gave tongue,
But never a cry cried he. 40
I ha’ seen him cow a thousand men
On the hills o’ Galilee.
They whined as he walked out calm between,
Wi’ his eyes like the gray o’ the sea.
Like the sea that brooks no voyaging, 45
With the winds unleashed and free,
Like the sea that he cowed at Genseret
Wi’ twey words spoke suddently.
A master of men was the Goodly Fere,
A mate of the wind and sea. 50
If they think they ha’ slain our Goodly Fere
They are fools eternally.
I ha’ seen him eat o’ the honey-comb
Sin’ they nailed him to the tree.
Saturday, April 27, 2013
Journey by Train
by May Sarton
Stretched across counties, countries, the train
Rushes faster than memory through the rain.
The rise of each hill is a musical phrase.
Listen to the rhythm of space, how it lies,
How it rolls, how it reaches, what unwinding relays
Of wood and meadow where the red cows graze
Come back again and again to closed eyes—
That garden, that pink farm, that village steeple,
And here and there the solitary people
Who stand arrested when express trains pass,
That stillness of an orchard in deep grass.
Yet landscapes flow like this toward a place,
A point in time and memory's own face.
So when the clamor stops, we really climb
Down to the earth, closing the curve of time,
Meeting those we have left, to those we meet
Bringing our whole life that has moved so fast,
And now is gathered up and here at last,
To unroll like a ribbon at their feet.
Stretched across counties, countries, the train
Rushes faster than memory through the rain.
The rise of each hill is a musical phrase.
Listen to the rhythm of space, how it lies,
How it rolls, how it reaches, what unwinding relays
Of wood and meadow where the red cows graze
Come back again and again to closed eyes—
That garden, that pink farm, that village steeple,
And here and there the solitary people
Who stand arrested when express trains pass,
That stillness of an orchard in deep grass.
Yet landscapes flow like this toward a place,
A point in time and memory's own face.
So when the clamor stops, we really climb
Down to the earth, closing the curve of time,
Meeting those we have left, to those we meet
Bringing our whole life that has moved so fast,
And now is gathered up and here at last,
To unroll like a ribbon at their feet.
Friday, April 26, 2013
Poem
by Frank O'Hara
Let's take a walk, you
and I in spite of the
weather if it rains hard
on our toes
we'll stroll like poodles
and be washed down a
gigantic scenic gutter
that will be
exciting! voyages are not
all like this you just put
your toes together then
maybe blood
will get meaning and a trick
become slight in our keeping
before we sail the open sea it's
possible—
And the landscape will do
us some strange favor when
we look back at each other
anxiously
Let's take a walk, you
and I in spite of the
weather if it rains hard
on our toes
we'll stroll like poodles
and be washed down a
gigantic scenic gutter
that will be
exciting! voyages are not
all like this you just put
your toes together then
maybe blood
will get meaning and a trick
become slight in our keeping
before we sail the open sea it's
possible—
And the landscape will do
us some strange favor when
we look back at each other
anxiously
Wednesday, April 24, 2013
Quote of the Day
We cannot lose external goods because we never really had them. The beauty of fields or gems is a real good, but it is theirs, not ours.
- CS Lewis
- CS Lewis
Pretty Halcyon Days
by Ogden Nash
How pleasant to sit on the beach,
On the beach, on the sand, in the sun,
With ocean galore within reach,
And nothing at all to be done!
No letters to answer,
No bills to be burned,
No work to be shirked,
No cash to be earned.
It is pleasant to sit on the beach
With nothing at all to be done.
How pleasant to look at the ocean,
Democratic and damp; indiscriminate;
It fills me with noble emotion
To think I am able to swim in it.
To lave in the wave,
Majestic and chilly,
Tomorrow I crave;
But today it is silly.
It is pleasant to look at the ocean;
Tomorrow, perhaps, I shall swim in it.
How pleasant to gaze at the sailors,
As their sailboats they manfully sail
With the vigor of vikings and whalers
In the days of the viking and whale.
They sport on the brink
Of the shad and the shark;
If it's windy they sink;
If it isn't, they park.
It is pleasant to gaze at the sailors,
To gaze without having to sail.
How pleasant the salt anaesthetic
Of the air and the sand and the sun;
Leave the earth to the strong and athletic,
And the sea to adventure upon.
But the sun and the sand
No contractor can copy;
We lie in the land
Of the lotus and poppy;
We vegetate, calm and aesthetic,
On the beach, on the sand, in the sun.
How pleasant to sit on the beach,
On the beach, on the sand, in the sun,
With ocean galore within reach,
And nothing at all to be done!
No letters to answer,
No bills to be burned,
No work to be shirked,
No cash to be earned.
It is pleasant to sit on the beach
With nothing at all to be done.
How pleasant to look at the ocean,
Democratic and damp; indiscriminate;
It fills me with noble emotion
To think I am able to swim in it.
To lave in the wave,
Majestic and chilly,
Tomorrow I crave;
But today it is silly.
It is pleasant to look at the ocean;
Tomorrow, perhaps, I shall swim in it.
How pleasant to gaze at the sailors,
As their sailboats they manfully sail
With the vigor of vikings and whalers
In the days of the viking and whale.
They sport on the brink
Of the shad and the shark;
If it's windy they sink;
If it isn't, they park.
It is pleasant to gaze at the sailors,
To gaze without having to sail.
How pleasant the salt anaesthetic
Of the air and the sand and the sun;
Leave the earth to the strong and athletic,
And the sea to adventure upon.
But the sun and the sand
No contractor can copy;
We lie in the land
Of the lotus and poppy;
We vegetate, calm and aesthetic,
On the beach, on the sand, in the sun.
Tuesday, April 23, 2013
For What Binds Us
by Jane Hirshfield
There are names for what binds us:
strong forces, weak forces.
Look around, you can see them:
the skin that forms in a half-empty cup,
nails rusting into the places they join,
joints dovetailed on their own weight.
The way things stay so solidly
wherever they've been set down—
and gravity, scientists say, is weak.
And see how the flesh grows back
across a wound, with a great vehemence,
more strong
than the simple, untested surface before.
There's a name for it on horses,
when it comes back darker and raised: proud flesh,
as all flesh
is proud of its wounds, wears them
as honors given out after battle,
small triumphs pinned to the chest—
And when two people have loved each other
see how it is like a
scar between their bodies,
stronger, darker, and proud;
how the black cord makes of them a single fabric
that nothing can tear or mend.
There are names for what binds us:
strong forces, weak forces.
Look around, you can see them:
the skin that forms in a half-empty cup,
nails rusting into the places they join,
joints dovetailed on their own weight.
The way things stay so solidly
wherever they've been set down—
and gravity, scientists say, is weak.
And see how the flesh grows back
across a wound, with a great vehemence,
more strong
than the simple, untested surface before.
There's a name for it on horses,
when it comes back darker and raised: proud flesh,
as all flesh
is proud of its wounds, wears them
as honors given out after battle,
small triumphs pinned to the chest—
And when two people have loved each other
see how it is like a
scar between their bodies,
stronger, darker, and proud;
how the black cord makes of them a single fabric
that nothing can tear or mend.
Thursday, April 18, 2013
Serious
by James Fenton
Awake, alert,
Suddenly serious in love,
You're a surprise.
I've known you long enough —
Now I can hardly meet your eyes.
It's not that I'm
Embarrassed or ashamed.
You've changed the rules
The way I'd hoped they'd change Before I thought: hopes are for fools.
Let me walk with you.
I've got the newspapers to fetch.
I think you know
I think you have the edge
But I feel cheerful even so.
That's why I laughed.
That's why I went and kicked that stone.
I'm serious!
That's why I cartwheeled home.
This should mean something. Yes, it does.
Awake, alert,
Suddenly serious in love,
You're a surprise.
I've known you long enough —
Now I can hardly meet your eyes.
It's not that I'm
Embarrassed or ashamed.
You've changed the rules
The way I'd hoped they'd change Before I thought: hopes are for fools.
Let me walk with you.
I've got the newspapers to fetch.
I think you know
I think you have the edge
But I feel cheerful even so.
That's why I laughed.
That's why I went and kicked that stone.
I'm serious!
That's why I cartwheeled home.
This should mean something. Yes, it does.
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