by Mary Karr
Not the bristle-bearded Igors bent
under burlap sacks, not peasants knee-deep
in the rice paddy muck,
nor the serfs whose quarter-moon sickles
make the wheat fall in waves
they don't get to eat. My friend the Franciscan
nun says we misread
that word meek in the Bible verse that blesses them.
To understand the meek
(she says) picture a great stallion at full gallop
in a meadow, who—
at his master's voice—seizes up to a stunned
but instant halt.
So with the strain of holding that great power
in check, the muscles
along the arched neck keep eddying,
and only the velvet ears
prick forward, awaiting the next order.
Incoherant Ramblings from a First-Time Father of an Extraordinary Daughter, along with Musings on Life, Food, Books, Entertainment, Running and Poetry all with a Lousy Dawg
Thursday, May 30, 2013
Monday, May 27, 2013
At the Vietnam Memorial
by George Bilgere
The last time I saw the name Paul Castle
it was printed in gold on the wall
above the showers in the boys'
locker room, next to the school
record for the mile. I don't recall
his time, but the year was 1968
and I can look across the infield
of memory to see him on the track,
legs flashing, body bending slightly
beyond the pack of runners at his back.
He couldn't spare a word for me,
two years younger, junior varsity,
and hardly worth the waste of breath.
He owned the hallways, a cool blonde
at his side, and aimed his interests
further down the line than we could guess.
Now, reading the name again,
I see us standing in the showers,
naked kids beneath his larger,
comprehensive force—the ones who trail
obscurely, in the wake of the swift,
like my shadow on this gleaming wall.
Sunday, May 26, 2013
Quote of the Day
“Child,' said the Lion, 'I am telling you your story, not hers. No one is told any story but their own.”
- Aslan - The Lion, The Witch and the Wardrobe
- Aslan - The Lion, The Witch and the Wardrobe
Saturday, May 25, 2013
The Runner
The first lessons are almost always the best lessons, and it was no different here: Running is a kind of truth serum. It brutally strips away everything you put on and leaves you with only yourself. The runner on the road, hunched over or otherwise, knows something that the passenger in the car doesn't. Down to the core, the runner knows who he is. The runner has to. He's so tired, who he is is all that's left.
. . . the run makes trash of every bauble and artifact, layer upon layer, whether it's something in your form, or something on your body, or something in your mind, until you're empty and bare and raw.
The runner knows who he is. The farther he runs, the more he knows, the more that shows.
- Marc Parent in Runner's World
http://www.runnersworld.com/runners-stories/running-helps-you-find-your-inner-self
. . . the run makes trash of every bauble and artifact, layer upon layer, whether it's something in your form, or something on your body, or something in your mind, until you're empty and bare and raw.
The runner knows who he is. The farther he runs, the more he knows, the more that shows.
- Marc Parent in Runner's World
http://www.runnersworld.com/runners-stories/running-helps-you-find-your-inner-self
Friday, May 24, 2013
To a Daughter Leaving Home
by Linda Pastan
When I taught you
at eight to ride
a bicycle, loping along
beside you
as you wobbled away
on two round wheels,
my own mouth rounding
in surprise when you pulled
ahead down the curved
path of the park,
I kept waiting
for the thud
of your crash as I
sprinted to catch up,
while you grew
smaller, more breakable
with distance,
pumping, pumping
for your life, screaming
with laughter,
the hair flapping
behind you like a
handkerchief waving
goodbye.
When I taught you
at eight to ride
a bicycle, loping along
beside you
as you wobbled away
on two round wheels,
my own mouth rounding
in surprise when you pulled
ahead down the curved
path of the park,
I kept waiting
for the thud
of your crash as I
sprinted to catch up,
while you grew
smaller, more breakable
with distance,
pumping, pumping
for your life, screaming
with laughter,
the hair flapping
behind you like a
handkerchief waving
goodbye.
Tuesday, May 21, 2013
Romantics
by Lisel Mueller
Johannes Brahms and Clara Schumann
The modern biographers worry
"how far it went," their tender friendship.
They wonder just what it means
when he writes he thinks of her constantly,
his guardian angel, beloved friend.
The modern biographers ask
the rude, irrelevant question
of our age, as if the event
of two bodies meshing together
establishes the degree of love,
forgetting how softly Eros walked
in the nineteenth century, how a hand
held overlong or a gaze anchored
in someone's eyes could unseat a heart,
and nuances of address, not known
in our egalitarian language
could make the redolent air
tremble and shimmer with the heat
of possibility. Each time I hear
the Intermezzi, sad
and lavish in their tenderness,
I imagine the two of them
sitting in a garden
among late-blooming roses
and dark cascades of leaves,
letting the landscape speak for them,
leaving nothing to overhear.
Johannes Brahms and Clara Schumann
The modern biographers worry
"how far it went," their tender friendship.
They wonder just what it means
when he writes he thinks of her constantly,
his guardian angel, beloved friend.
The modern biographers ask
the rude, irrelevant question
of our age, as if the event
of two bodies meshing together
establishes the degree of love,
forgetting how softly Eros walked
in the nineteenth century, how a hand
held overlong or a gaze anchored
in someone's eyes could unseat a heart,
and nuances of address, not known
in our egalitarian language
could make the redolent air
tremble and shimmer with the heat
of possibility. Each time I hear
the Intermezzi, sad
and lavish in their tenderness,
I imagine the two of them
sitting in a garden
among late-blooming roses
and dark cascades of leaves,
letting the landscape speak for them,
leaving nothing to overhear.
Monday, May 20, 2013
Quote of the Day
Until a man knows he's a man he will forever be trying to prove he is one, while at the same time shrinking from anything that might reveal he is not.
- John Eldredge - Wild at Heart
- John Eldredge - Wild at Heart
Thursday, May 16, 2013
Another Day of Livin'
http://youtu.be/eLwkT5vAzCE
I just want to celebrate another day of livin'
I just want to celebrate another day of life
I put my faith in the people
But the people let me down
So I turned the other way
And I carry on, anyhow
That's why I'm telling you
I just want to celebrate, yeah, yeah
I just want to celebrate, yeah, yeah
Another day of living,
I just want to celebrate another day of life
Had my hand on the dollar bill
And the dollar bill blew away
But the sun is shining down on me
And it's here to stay
That's why I'm telling you
I just want to celebrate, yeah, yeah
Another day of living, yeah
I just want to celebrate another day of living
I just want to celebrate another day of life
Don't let it all get you down,
Don't let it turn you around and around
And around and around
Well, I can't be bothered with sorrow
And I can't be bothered with hate, no, no
I'm using up my time by feeling fine, every day
That's why I'm telling you I just want to celebrate
Aw, yeah
I just want to celebrate yeah yeah
Another day of living, yeah yeah
I just want to celebrate another day of livin', yeah
I just want to celebrate another day of life
Don't let it all get you down, no, no
Don't let it turn you around and around,
And around and around, and around
Around round round
'round and around round round round
don't go 'round
Wednesday, May 15, 2013
A Hint of Spring
by James Whitcomb Riley
'Twas but a hint of Spring—for
still
The atmosphere was sharp and chill
Save where the genial sunshine smote
The shoulders of my overcoat,
And o'er the snow beneath my feet
Laid spectral fences down the street.
My shadow, even, seemed to be
Elate with some new buoyancy,
And bowed and bobbed in my advance
With trippingest extravagance,
And, when the birds chirpt out some-
where,
It seemed to wheel with me and stare.
Above I heard a rasping stir—
And on a roof the carpenter
Was perched, and prodding rusty
leaves
From out the choked and dripping
eaves—
And some one, hammering about,
Was taking all the windows out.
Old scraps of shingles fell before
The noisy mansion's open door;
And wrangling children raked the yard,
And labored much, and laughed as
hard,
And fired the burning trash I smelt
And sniffed again—so good I felt!
'Twas but a hint of Spring—for
still
The atmosphere was sharp and chill
Save where the genial sunshine smote
The shoulders of my overcoat,
And o'er the snow beneath my feet
Laid spectral fences down the street.
My shadow, even, seemed to be
Elate with some new buoyancy,
And bowed and bobbed in my advance
With trippingest extravagance,
And, when the birds chirpt out some-
where,
It seemed to wheel with me and stare.
Above I heard a rasping stir—
And on a roof the carpenter
Was perched, and prodding rusty
leaves
From out the choked and dripping
eaves—
And some one, hammering about,
Was taking all the windows out.
Old scraps of shingles fell before
The noisy mansion's open door;
And wrangling children raked the yard,
And labored much, and laughed as
hard,
And fired the burning trash I smelt
And sniffed again—so good I felt!
Tuesday, May 14, 2013
Animal Spirits
by Denise Levertov
When I was five and
undifferentiated energy, animal spirits,
pent-up desire for the unknown built in me
a head of steam I had
no other way to let off, I ran
at top speed back and forth
end to end of the drawingroom,
bay to French window, shouting—
roaring, really—slamming
deliberately into the rosewood
desk at one end, the shaken
window-frames at the other, till the fit
wore out or some grownup stopped me.
But when I was six I found better means:
on its merry gallows
of dark-green wood my swing, new-built,
awaited my pleasure, I rushed
out to it, pulled the seat
all the way back to get a good start, and
vigorously pumped it up to the highest arc:
my legs were oars, I was rowing a boat in air—
and then, then from the furthest
forward swing of the ropes
I let go and flew!
At large in the unsustaining air,
flew clear over the lawn across
the breadth of the garden
and fell, Icarian, dazed,
among hollyhocks, snapdragons, love-in-a-mist,
and stood up uninjured, ready
to swing and fly over and over.
The need passed as I grew;
the mind took over, devising
paths for that force in me, and the body curled up,
sedentary, glad to be quiet and read and read,
save once in a while, when it demanded
to leap about or to whirl—or later still
to walk swiftly in wind and rain
long and far and into the dusk,
wanting some absolute, some exhaustion.
Monday, May 13, 2013
Quote of the Day
We live, in fact, in a world starved for solitude, silence, and private: and therefore starved for meditation and true friendship.
- CS Lewis
- CS Lewis
The Land of Beginning Again
by Louisa Fletcher
I wish that there were some wonderful place
In the Land of Beginning Again.
Where all our mistakes and all our heartaches
And all of our poor selfish grief
Could be dropped like a shabby old coat at the door
and never put on again.
I wish we could come on it all unaware,
Like the hunter who finds a lost trail;
And I wish that the one whom our blindness had done
The greatest injustice of all
Could be there at the gates
like an old friend that waits
For the comrade he's gladdest to hail.
We would find all the things we intended to do
But forgot, and remembered too late,
Little praises unspoken, little promises broken,
And all the thousand and one
Little duties neglected that might have perfected
The day for one less fortunate.
It wouldn't be possible not to be kind
In the Land of Beginning Again,
And the ones we misjudged
and the ones whom we grudged
their moments of victory here,
Would find in the grasp of our loving hand-clasp
More than penitent lips could explain...
So I wish that there were some wonderful place
Called the Land of Beginning Again,
Where all our mistakes and all our heartaches,
And all of our poor selfish grief
Could be dropped like a shabby old coat at the door
And never put on again.
I wish that there were some wonderful place
In the Land of Beginning Again.
Where all our mistakes and all our heartaches
And all of our poor selfish grief
Could be dropped like a shabby old coat at the door
and never put on again.
I wish we could come on it all unaware,
Like the hunter who finds a lost trail;
And I wish that the one whom our blindness had done
The greatest injustice of all
Could be there at the gates
like an old friend that waits
For the comrade he's gladdest to hail.
We would find all the things we intended to do
But forgot, and remembered too late,
Little praises unspoken, little promises broken,
And all the thousand and one
Little duties neglected that might have perfected
The day for one less fortunate.
It wouldn't be possible not to be kind
In the Land of Beginning Again,
And the ones we misjudged
and the ones whom we grudged
their moments of victory here,
Would find in the grasp of our loving hand-clasp
More than penitent lips could explain...
So I wish that there were some wonderful place
Called the Land of Beginning Again,
Where all our mistakes and all our heartaches,
And all of our poor selfish grief
Could be dropped like a shabby old coat at the door
And never put on again.
Friday, May 10, 2013
Thanks for Remembering Us
by Dana Gioia
The flowers sent here by mistake,
signed with a name that no one knew,
are turning bad. What shall we do?
Our neighbor says they're not for her,
and no one has a birthday near.
We should thank someone for the blunder.
Is one of us having an affair?
At first we laugh, and then we wonder.
The iris was the first to die,
enshrouded in its sickly-sweet
and lingering perfume. The roses
fell one petal at a time,
and now the ferns are turning dry.
The room smells like a funeral,
but there they sit, too much at home,
accusing us of some small crime,
like love forgotten, and we can't
throw out a gift we've never owned.
Thursday, May 9, 2013
The Blue Dress
by Freya Manfred
I don't recall pain, or joy, only the blue dress
I wore, and the door open to the sea,
and the liquid sun across the floor beside the bed,
and our crooning sense of having climbed Everest,
undaunted, undeceived.
I didn't know who I was or who you were,
or even what we hoped for, in that slow, rushed,
soft, harsh, pretend, real, world. Even now,
I don't know how to devour love like a golden apple
stolen from a teacher who gives too many tests.
So tell me what you remember,
and who you think we were,
and I will nod and agree, though I doubt it happened—
beyond the sea, the sun, the open door,
the blue dress, and the dream.
I don't recall pain, or joy, only the blue dress
I wore, and the door open to the sea,
and the liquid sun across the floor beside the bed,
and our crooning sense of having climbed Everest,
undaunted, undeceived.
I didn't know who I was or who you were,
or even what we hoped for, in that slow, rushed,
soft, harsh, pretend, real, world. Even now,
I don't know how to devour love like a golden apple
stolen from a teacher who gives too many tests.
So tell me what you remember,
and who you think we were,
and I will nod and agree, though I doubt it happened—
beyond the sea, the sun, the open door,
the blue dress, and the dream.
Wednesday, May 8, 2013
Monday, May 6, 2013
Note to My Father After All These Years
by Marjorie Saiser
Today I spend money. Doodad this, doodad that
in a town in the sun on the border. I sit
outdoors with my doodad dog
at the coffee shop. Time passes.
A man casts a shadow across my latte,
asks if he can borrow my lighter for a minute.
I have none but he talks to me anyway,
generous with conversation,
his tattooed hands giving my dog some
good attention. I can't see his eyes,
only the dark of his sunglasses. His unlit cigarette
bobs in his lips as he talks. This,
or something, reminds me of you. He says
the people here are nice. He loves it here,
says it's way better than the big city; it's all
money anyways; every time he left the house
it was forty bucks. He sees someone
across the street, waves his arm,
shouts: Jack, I'm free!
He rises. He's gone.
Today I spend money. Doodad this, doodad that
in a town in the sun on the border. I sit
outdoors with my doodad dog
at the coffee shop. Time passes.
A man casts a shadow across my latte,
asks if he can borrow my lighter for a minute.
I have none but he talks to me anyway,
generous with conversation,
his tattooed hands giving my dog some
good attention. I can't see his eyes,
only the dark of his sunglasses. His unlit cigarette
bobs in his lips as he talks. This,
or something, reminds me of you. He says
the people here are nice. He loves it here,
says it's way better than the big city; it's all
money anyways; every time he left the house
it was forty bucks. He sees someone
across the street, waves his arm,
shouts: Jack, I'm free!
He rises. He's gone.
Friday, May 3, 2013
Smoke
by Faith Shearin
It was everywhere in my childhood: in restaurants,
on buses or planes. The teacher's lounge looked like
London under fog. My grandmother never stopped
smoking, and walking in her house was like diving
in a dark pond. Adults were dimly lit: they carried
matches in their pockets as if they might need fire
to see. Cigarette machines inhaled quarters and
exhaled rectangles. Women had their own brands,
long and thin; one was named Eve and it was meant
to be smoked in a garden thick with summer flowers.
I'm speaking of moods: an old country store where
my grandfather met friends and everyone spoke
behind a veil of smoke. (My Uncle Bill preferred
fragrant cigars; I can still smell his postal jacket ...)
He had time to tell stories because he took breaks
and there was something to do with his hands.
My mother's bridge club gathered around tables
with ashtrays and secrets which are best revealed
beside fire. Even the fireplaces are gone: inefficient
and messy. We are healthier now and safer! We have
exercise and tests for breast or colon cancer. We have
helmets and car seats and smokeless coffee shops
where coffee has grown frothy and complex. The old
movies are so full of smoke that actors are hard to see
and they are often wrapped in smoking jackets, bent
over a piano or kiss. I miss the places smoke created.
I like the way people sat down for rest or pleasure
and spoke to other people, not phones, and the tiny fire
which is crimson and primitive and warm. How long
ago when humans found this spark of warmth and made
their first circle? What about smoke as words? Or the
pipes of peace? In grade school we learned how it rises
and how it can kill. We were taught to shove towels
under our closed doors: to stop, drop, and roll. We had
a plan to meet our family in the yard, the house behind
us alive with all we cannot put out...
It was everywhere in my childhood: in restaurants,
on buses or planes. The teacher's lounge looked like
London under fog. My grandmother never stopped
smoking, and walking in her house was like diving
in a dark pond. Adults were dimly lit: they carried
matches in their pockets as if they might need fire
to see. Cigarette machines inhaled quarters and
exhaled rectangles. Women had their own brands,
long and thin; one was named Eve and it was meant
to be smoked in a garden thick with summer flowers.
I'm speaking of moods: an old country store where
my grandfather met friends and everyone spoke
behind a veil of smoke. (My Uncle Bill preferred
fragrant cigars; I can still smell his postal jacket ...)
He had time to tell stories because he took breaks
and there was something to do with his hands.
My mother's bridge club gathered around tables
with ashtrays and secrets which are best revealed
beside fire. Even the fireplaces are gone: inefficient
and messy. We are healthier now and safer! We have
exercise and tests for breast or colon cancer. We have
helmets and car seats and smokeless coffee shops
where coffee has grown frothy and complex. The old
movies are so full of smoke that actors are hard to see
and they are often wrapped in smoking jackets, bent
over a piano or kiss. I miss the places smoke created.
I like the way people sat down for rest or pleasure
and spoke to other people, not phones, and the tiny fire
which is crimson and primitive and warm. How long
ago when humans found this spark of warmth and made
their first circle? What about smoke as words? Or the
pipes of peace? In grade school we learned how it rises
and how it can kill. We were taught to shove towels
under our closed doors: to stop, drop, and roll. We had
a plan to meet our family in the yard, the house behind
us alive with all we cannot put out...
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